Joadja, Thank You For The Inspiration!

Over the years, I have visited Joadja Creek, which is an old Shale mining town in the Southern Highlands of NSW Australia.

I had been down there 3 times before dating back to the 1980’s however I had not been20140926-img_5656-1 there for some 12 years when I ventured down there in 2014.

Although some restorative work is taking place with some of the roofs, Joadja is largely how I remembered it, a place of history, an ornament to the Scottish part of our heritage and a wonderful place to let the mind relax.

20140926-img_5588-1

In the past I had gone down there with just photography in mind however this time around was a bit different. This time I took my camera, my iPad and my pencils.

The camera to capture the place photographically, the iPad to capture it in words and pencils to do some sketching.

Included here are some of the images I took and I also have included a link to a previous post on this blog, where you will see a poem I wrote about Joadja when I was down there sitting amongst the ruins…     20140926-img_5604-1

If you do find yourself on the area, drop in for a visit. It is a place that will capture both the historian and the artist in you.

Written by David Johnson
December 2016

https://communicatingcreatively.wordpress.com/2016/05/01/solitary-moments/

For further information about Joadja, click on the link below:
http://www.joadjatown.com.au/about.html

20140926-img_5642-1
20140926-img_5683-1

20140926-img_5567-1

 

Awareness + Personal Vision + Imagination

One of the things that happened when I first started using a camera to explore the world was that I started to become more aware of what was around me. Initially, this was only on a conscious level. Gradually, over time I trained my eye to seek out things that which20130529-000021-1 others would walk straight by. This now happens on a subconscious level.

Coupled with this is my sense of humour, so that when I was walking along a pier and saw these boots, awareness & humour combined to form a memorable image for me.

This is one of the wonderful things in life. We each have our own personal vision of the world. Our personal vision is shaped by our environment, our beliefs and influences.

In picking up a camera, a paintbrush, a pencil, clay or other artistic media we can express, through our imagination that which others cannot, i.e. our personal view of this world.

Awareness, personal vision and imagination. Three important tools to communicate your message.

David Johnson
October 2016

Awareness

“Look at everything always as though you were seeing it either for the first or last time: Thus is your time on Earth filled with glory.”
Betty Smith – A Tree Grows In Brooklyn

Handrail Design
Photo by David Johnson

Take the time to walk around your local area.

Photographing in the early morning or late afternoon can often reveal very interesting things. There are shapes, textures, lines and forms that reveal themselves to you if you remain aware…

Objects that we humans pass by every day not giving them a second glance, hold beauty, hold interest and stories. Human stories.

The shapes and forms are often made by humans to serve a purpose, a function and they do this effectively. I have attached one such image that I discovered.

By isolating it from its greater surroundings, but including those in close proximity an art form is created. This is a handrail at McDonalds in Camden NSW. Often used. Seldom appreciated.

If you haven’t done it lately, take a walk with a camera through your local area. I have no doubt that you’ll be surprised at what you find!

David Johnson
October 2016

Styles, Schools and Movements

One of my favourite books on my Art shelf is “Styles, Schools and Movements” The Essential Encyclopaedic Guide to Modern Art by Amy Dempsey.

Commencing with Art in 1860 to the present day, it explores 100 styles, schools and img_5984movements in depth and contains a brief description of 200 more.

Each chapter includes a headlining quote from an Artist which offers food for thought, a detailed analysis on the ‘style, school or movement’, example images, references to key collections and books for further reading.

I find it an absolute delight to ‘dip into’ and it provides a great deal of inspiration for my own Art, Poetry, Writing and Photography.

I have the First Edition. A link to the Second Edition can be found below. Enjoy!

David Johnson
October 2016

“I am not interested in shooting new things, I am interested to see things new.” Ernst Haas

I was leafing through an old photography book and I came across the above quote by Ernst Haas. He was (and remains) a great influence on me.

There are quite literally millions of things to photograph and no photographer could rightly claim to have photographed everything there is, however we do not need to.hang-in-there

I often hear the comment, ‘there is nothing to photograph…” An amazing statement really… As I look out the window (in suburbia currently), I see many subjects and many ideas come to mind of what/how I could photograph them.

The problem isn’t the lack of subject matter. The problem is that we wander around blissfully unaware of our surroundings and we also get caught up in the world, rushing here rushing there.

STOP! Just for one moment wherever you are reading this! Look around.

Do you see a tree? Yes. Look at it as if it is not a tree, but an idea generator, branches as conduit bringing forth ideas (leaves) and photograph it accordingly…

Do you see a fence? Yes. Look at it as if it is not a fence, but a palette. A palette that has light dancing over it creating form and texture, lines and shapes.

Are you a glamour/nude photographer? View the body, not as a body but as a sculpture; view it as part of the landscape and photograph it accordingly…

Are you a flower photographer? View the flower, not as a flower but as a person with a personality…

It is not lack of subject matter, it’s a lack of ideas.

The continued challenge as a photographer is that we need to reinvent and apply new ideas to the subject matter or as Ernst Haas eloquently puts it…

“I am not interested in shooting new things – I am interested to see things new.”
Ernst Haas

David Johnson
October 2016

For more information on Ernst Haas
http://www.ernst-haas.com

Its Always Been About The Moment

It has indeed been always about the moment, whether I was shooting film or digital photography.

I remember back in 1983 when I purchased my SLR and a whole new world opened up to me, it was a liberating experience. I began to be aware and see things that had always been there yet, I had not seen. That feeling and experience continues to this day.

Back in the film days there were many ways that an image could be produced and/or manipulated. Now with the invention of Digital, we have many more ways to enhance/manipulate an image, perhaps way more than we need (or want for that matter). The ’science’ is there no matter whether we are talking Film or Digital.

I would like you to step back though, away from the film, the pixels, cameras, chemicals and paper and think about the following… If there was no moment, no spark that formed that idea in your head or no experience that drove you to pick up that camera to take that image, there would be no image.

Which takes me back to my original comment, ‘It’s always been about the moment.’

When I’m out there photographing, when I’m out there experiencing the moment i.e. the realisation of an idea, being on the hunt, interpreting the experience, recognising that moment, that has always been the thing I love the most about photography.

Back in the Darkroom or the Lightroom the process continues to build on that moment, which is necessary to bring the vision to others. That process is of course, important, for without that the photographer’s vision will not be realised.

For me though it’s that joyous moment, where I am one with my camera, an experience I can re-live in my mind at any time. The ‘finished image’ is a mere reproduction of that moment, a moment only, really truly experienced by the photographer…

 

Written by David Johnson
20 August 2016

A Journey To Personal Style…

I love it when I see an Artist’s creations and they have that much of an impact on me that it changes the way I think about my own.

In this case I’m taking about the latest episode on Colour In Your Life, featuring Sydney Artist, Sandra Blackburne which was aired in Sydney last night, and which I have now watched for the second time.

I would class myself as a ‘Beginner’ in terms of painting as my creative background has been through Photography, over the past 35 years. It started as a bit of a hobby about 5 years ago, though and I only ‘painted when I could fit in it’ as I have had other full-time occupations in that time. In January this year I decided that I would allocate 2-4 hours per weekend to my Oil painting and so far I have only missed out once, and I made sure I doubled the amount the following weekend. 😃

As I watched the episode, taking notes (as I do with each one), quite a few things resonated with me and have given me food for thought, such as:

  • Sandra does a few Plein-Air sketches of the subject she paints rather than photograph the scene. She mentioned that this allows herself to ‘put more of herself’ into the painting rather than be constrained by a photograph
  • Sketching with Colour Gesso is a new technique to me and watching Sandra create, I can see the benefits of doing it
  • The choice of colours which creatively evoke the Australian Landscape
  • The concept of layering paint which helps give the image light and life
  • The colours that were used and the way that they were applied. Sandra said that ‘tightening up when painting’ signals the death of a good painter
  • Using Cobalt Blue on Gum trees to reflect the Blue of the rich Australian sky

My style (if indeed I have one yet) seems to be more to ’try to paint subjects in a pictorial way.’ I remember when I did a basic Drawing course 6 years ago, the teacher said that appeared more a ‘Line Drawer’ than a ’Tone Drawer.’

Part of the challenge for me I guess is that coming from a photographic background, I’m too used to seeing subjects in a pictorial presentation rather than a fluid, abstract way, i.e. when I paint a leaf, a tree, or a building I try to capture all the detail when I don’t need to…

Looking at Sandra Blackburne’s Art I see sheds, trees and other subjects as perhaps ‘how I would remember them after a period of time has elapsed’, rather than as if they are in front of me, right then.

Sometimes I paint from photographs, sometimes from my imagination. I know which is more fun! A bridge between the photograph and the imagination is perhaps a Plein-Air sketch or two, which will then allow me to ‘put more of myself’ into a painting.

Thank you, Sandra Blackburne for your Art and inspiration. I look forward to seeing your Art face-to-face. Thanks also to Graeme Stevenson and to the team from ‘Colour In You Life’ for bringing such Art and inspiration into our Lives!

The journey to find my personal style continues…

 

Written by David Johnson
21 May 2016

 

Links:
https://www.instagram.com/sandrablackburne/

https://www.youtube.com/results?search_query=colour+in+your+life+tv+show

 

 

Profiling Photographers – Kenneth Hall – Gwondana Photography Pty Ltd

Welcome to the second instalment of ‘Profiling Photographers.’ I have known Kenneth Hall for many years via a few different projects/associations. Kenneth, through his background and interests, has a unique view of Australia which he imparts to those who view his photography and of course, his customers in his growing ‘Australian Photography Tours’ business. Thank you to Kenneth for agreeing to be part of this series.

Gear: Primary Canon 5D plus range of L series lenses

1. Why did you choose Photography as your medium of communication?

I have spent all my life outdoors starting as a child on the Yorkshire Moors with my father followed by many years travelling the world as a professional soldier and finally immigration to Australia.

I was also a dedicated solo bushwalker later developing and operating bushwalking clubs as well as being a member of six additional clubs.

I love nature so it was a natural step to take for me into photography.

Australia is a good place to be as a photographer and living in Macarthur gives me access to many areas of NSW.

The colours of Australia are superb, particularly dawn, sunrise and sunset. Much of my photography is undertaken at these times.

What better way to communicate with people than using colour?

Most people are visual and to use that old saying “a picture says a thousand words.”

Untitled

 

 

 

 

 

 

 

2. Which Photographers have been the greatest influences on you & why?

Ansel Adams, his landscapes are superb and created with the minimum of equipment.

Several from National Geographic – they are engaged in many projects around the world. One example is Paul Nicklen. They have the reputation, money and backing of an internationally known organisation. I associate their photographers with high-quality photographs with very daring and difficult to obtain compositions

Alfred Stieglitz – for his contribution to photography. It is wonderful to be known for what one did and remembered with affection.

“Adams credits three people for driving his interest in photography, Wesson and Strand and Stieglitz but it is Stieglitz that he regarded as the most important. He also regarded that first solo show in New York as the most important of his career.”

Steve McCurry – in particular for his “Afghan Girl”. Pay him a visit, his gallery says it all “http://stevemccurry.com/galleries”

3. What inspires you to create the type of images that you do?

Australia and NSW. I never become bored with nature, it is a passion.

Photography, when used in tours leads onto other things. My clients have many questions about Australia, its people, nature and our First People.

I have led a great life, none so good as my now nearing 40 years in Australia.

At one time whilst working on a four-year project on Longwall mining I was privileged to spend one day every week with a tribal elder. It was the most incredible education.

This led onto research as far back as Gondwana and the super-continent Pangea.

Our business reflects this in the choice of Gwondana, the birth of Australia as it broke away from Pangea.

I am a very proud Australian by choice.

Besides being heavily involved in landscape photography and in my book that covers everything but weddings, portraits and modelling I still do commercial photography for my clients.

This came about because of the high prices charged by professional photographers when I was optimising clients websites.

4. What do you think makes your style unique?

I don’t know that I have a unique style. If I have then I hope it is for a celebration of Australia.

Untitled2K

 

 

 

 

 

 

 

5. Do you have any advice for an aspiring photographer?

Get out of bed early.

Seek advice, find a mentor, learn patience and practice.

Photography is all about people, not equipment.

6. What is the next big adventure for you, photographically?

I have already started on a heritage buildings project.

In 2016, I will be visiting the UK, Canada and Alaska.

We have now taken on board the NSW Central West in the Goldfields and hooked up with Viator and a large Australia wide real estate organisation.

More of Kenneth Hall’s images can be viewed at:

Australian Photography Tours – Gwondana Photography Pty Ltd

http://www.australian-photography-tours.com

http://www.australian-sightseeing-tours.com.au

https://plus.google.com/+Australianphotographytours698/posts

https://www.facebook.com/pages/Australian-Photography-Tours/319705881489289

https://www.facebook.com/naroomaphotographytours

http://34-kenneth-hall.artistwebsites.com/

 

 

Profiling Photographers – Michael Rawle

This is the first in a new series of Photography posts that will appear regularly on this Blog. I have known Michael for approx. 25 years and we first met at Campbelltown Camera Club (now, Macarthur Photographic Society) in Sydney, Australia. A big thanks to Michael for sharing his thoughts and images!

Gear:
Currently favor and use Olympus micro 4/3 mirrorless system (E-M5 & E-M1)
I still however have (and will probably use in future)
2 x Olympus 4/3 DSLRs (E410 & E520), and
3 x Olympus OM system SLRs (OM2n, OM40, OM4)

1. Why did you choose Photography as your medium of communication?
I developed a love of movies from a very early age (my family were all film buffs) and I quickly warmed to the visual language of film in terms of both aesthetics, and in triggering an emotional response and in storytelling. In my late teen’s this translated to a love of a photography and still images and a desire to be able to capture images myself as a form of creative self-expression.

12182206_980091732048813_742680390_n

2. Which Photographers have been the greatest influences on you & why?
There are many photographers who impress me with their ability to capture wonderful images, master visual story-telling, and clearly share my sensibilities and world view. Some of these would include:
David Bailey; Max Dupain; Ansel Adams; Robert Capa; David Moore; Lewis Morley; Annie Leibovitz; Henri Cartier-Bresson; Bill Henson; Frank Hurley; Robert Mapplethorpe; William Yang; Harold Cazneaux… etc etc

3. What inspires you to create the type of images that you do?
To create strong images that are aesthetically satisfying, but also make an emotional connection to the viewer and have the ability to tell a story.

4. What do you think makes your style unique?
I don’t know if it is, however as we are all unique as people I like to think I bring my own character, personality, passions and sensibility to my creative endeavors and hopefully this is expressed in my images.

12188556_980091735382146_117350002_n

5. Do you have any advice for an aspiring photographer?
Follow your passions, be open to learning and be inspired by others, but above all stay true to yourself

6. What is the next big adventure for you, photographically?
Self-publishing books of my images; and exploring video as an extension to my love of the still image.

To look at more of Michael’s images:

Lake Broadwater Sunset 3