Everyone’s A Critic

Over the past few weeks I’ve discovered an ABC TV programme called ‘Everyone’s A Critic.’

The programme states that “each week a cross-section of Australians become Art critics as they discuss some of the most renowned art works in the country.”

Some of the critics are avid gallery visitors, whilst others are going into a gallery for the first time…

So far, I have watch four of the episodes and it is thoroughly fascinating to watch.

I’m sure that we are all aware that all of us have:

  • different points of view
  • grown up in different environments
  • have been subjected to different influences
  • Have different belief systems

A single piece of art can effect different people in dramatically different ways and often we judge the image and the artist based on what is there in front of us. How often do we see what we think the image is about, only to find that what the artwork is about (in the artist’s mind) is completely different.

One such image is “The Cripples” Arthur Boyd -1943. Pictured here, most who saw it were aghast that it was an image depicting those with disabilities in an unflattering way.

The Cripples - Arthur Boyd

It wasn’t until they heard the Artist’s backstory and the Artist Statement regarding the painting that they could begin to appreciate and understand why it was painted and what the painting was about. It was influenced by World War II and the fact that they kept sending previously injured soldiers back to fight again.

When I go to a Gallery I will look at the image first and see how it effects me then I will read the Artist’s Statement.

How about you? Do you read the Artist Statement first then look at the Art?

Written by David Johnson
September 2019

Snow Gum Love!

Earlier in the year, I started having fun painting my interpretation of ‘Snow Gums’ in Oils. The Snow Gum is a delightful tree that is native to sub-alpine and lowland habitats in Eastern Australia.

Why did I pick Snow Gums? I was looking for a theme, something that I could have fun with, something simplistic (or so I thought)! They are indeed a challenge.

The colours in real life are vivid and a delight to the eye, particularly in the late afternoon/early morning. My paintings only ‘scratch the surface’ in terms of the colour range that the actual trees have, in real life.

My interest, at present, lays more in painting the detail of the trees than the overall image.

On average, I only get to paint about 2-3 hours a week, though I am looking for ways to increase this. I only ever thought that I would love Photography this much. My love of Painting has now reached that same level.

I can see this series continuing, over time as there is much to explore.

Written by David Johnson
12 September 2018

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Watercolour Calling…

In 2010, when I first ‘heard the calling’ of painting and embarked on a basic, 6-week drawing course, I started with Watercolour. I remember my Mother-In-Law (whom I get on very well with, share the same sense of humour with and who has painted in Oils for many, many years) said ‘why did you start with the hardest medium?’

I shot slides for many years and the transparent effect of Watercolour reminds me of them. They are similar also in that you only ‘get one shot’ at doing them. If you muck them up, they stay mucked up!

Susan’s Family bought me some Student Acrylics for Christmas and off I went in that direction. I enjoyed being a beginner painter with them and sometime later, was lured into having a go at Oils by the local, friendly owner of an art/framing store.

So began my Oils journey, firstly with student paints, then artist paints. In between (as I guess a lover of art and craft does), I’ve managed to accumulate Oil Pastels, coloured pencils, Watercolour pencils, aqua wash pens, Charcoal sticks, a set of drawing/sketching pencils, Inktense pencils and so on…

I should say at this point that my artistic endeavours are not my source of income and I allocate time at night during the week and on weekends to pursue my creative endeavours so self-learning and experimentation have been a bit of slow grind but I am enjoying the journey nevertheless.

In May last year, I purchased a mixed-media A4 Ivory page journal in which I write poetry, sketch, scribble and paint. More and more I have noticed that I was using Watercolour pencil and aqua wash pens in the journal.

I am also gaining inspiration from artists on Instagram in the various art mediums. Over the past few months, I’ve noticed that I am following a greater number of Watercolour artists, and feel that I am being drawn back to that medium.

I still consider myself a beginner and love both Oils and Watercolour for different reasons. Watercolour is becoming an increasing influence, so much so that I purchased a set of 45 Winsor and Newton Cotman Half Pans this past week and have been enjoying using them in my journal.

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With Watercolour, I see me doing just small sketches at this stage as there is an immense amount for me to learn. I will still do Oils though on larger paintings. That way, I can enjoy my two favourite art mediums.

David Johnson
25 February 2018