I’ve realised that its been a fair while since I did a post relating to my, ‘Daily Art Practice’ aka, ‘A Watercolour Sketch a Day.’
Today is Day 872 and I chose to revisit one of my favourite subjects, a Lighthouse, though in this case the Lighthouse isn’t the main subject, it merely makes up a small part of the scene.
Day 872 ‘On The Point’
Recently, I purchased a book from the Book Depository, ‘Rendering In Pen and Ink’ by Arthur L. Guptill, edited by Susan E. Meyer. The book was written some time ago and the techniques were written for Dip Pens and Quills, though they can be applied to modern drawing tools. The book is an inspiration and I’m so glad to have it as I use it on a daily basis, practicing different techniques it discusses.
I have grown to love using Dip Pens and Ink from sketching and prefer to use this combination rather than use Pigment Liners when at home. When I’m out and about, Pigment Liners are far more manageable, though in the future I would like to develop/find a way to use the Dip Pens/Ink combination when I’m away from home.
I cannot really explain why I like using Dip Pens over Pigment Liners except to say that, ‘it just feels good and right for me.’
Here is another selection of recent, ‘Watercolour Sketch a Day’ efforts.
Camera Clubs/Photographic Societies were such a huge and integral part of my journey in Photography and those experiences cannot be summed up in just one post as there were several facets that I would like to cover.
When I walked into a Camera Club for the very first time, I was an extremely shy 23 year old (I can hear Perc Carter laughing now…). I’ll never forget my early visits to Campbelltown Camera Club in 1986. I joined in June of that year.
Logo from a T-Shirt members proudly wore around advertising our Club. I still have the T-Shirt, though I doubt it would fit me these days!
Apart from ‘not being comfortable in a roomful of strangers’, as the prints started to go up on the print stands, I felt both inspired and inadequate at the same time.
I had been shooting for about 3 1/2 years and was starting to feel a bit more happy with what and how I was shooting. I knew there was room for improvement though. There always is…much more improvement when I saw what was in front of me!
The images in front of me were awe-striking. I had no knowledge at that time of how long some of my fellow members had been involved in photography. I had arrived as a member just in time for the ‘Top Shot’ Competition. I had never even considered going into a competition with my photography. Photography was just for fun.
Charlie Cowell won the overall Top Shot that year with a Still-Life image that had a background where ‘light just disappeared’ into the background.
I had been trying to shoot various Still-Life scenes but my backgrounds were awful. I sat there wondering how he did it and commented so to another member. The member said, ‘why don’t you ask him?’
Summing up the courage, I did. ‘Black Velvet’, Charlie said & proceeded to tell me what to buy and where to buy etc. I still have that piece of Velvet 35 years later…
I started to enter the competitions about a month later. Club competition entries, if successful, were awarded a Merit or Credit by the visiting Judge who evaluated the images on display and suggested points for improvement.
Myself being presented with a Bronze Medallion for 25 Merits in Monochrome c1990’s by then President, Enid Duncan.. I went on to achieve 75+ Merits in Monochrome; and 205 Merits in Slides which was/is a Club record for that medium. Wish I still had the hair!
I learnt so much going along to Campbelltown Camera Club in many ways, the competitions being just one of them.
It certainly helped build up my ‘photographic confidence’ over time and also, being exposed to a new group of people helped start me on the road to ‘general self-confidence’ too.
Over the next few articles, as I continue write about my Photographic journey, I will explore other facets of my wonderful experience of being a member of a Camera Club/Photographic Society.
A few years back, Campbelltown Camera Club changed it’s name to Macarthur Photographic Society. To find out more about MPS and how being a member can improve your Photography, click on the following link. https://macarthurphotographicsociety.org.au/
Today, I visited my local Art and Craft shop, Eckersleys Art & Craft to spend a gift voucher I received for Christmas.
When I receive a gift voucher I always like to buy something memorable. It would be easy to spend it on more paints etc but those paints get used up and there’s nothing really left to show for spending the voucher.
Whilst surveying the shelves in the Art shop, I came across a book called, “Watercolor 365 – Daily Tips, Tricks & Techniques” by Leslie Redhead.
Buying any sort of ‘How To’ book can sometimes see us buying things we’ve already bought. They are so many books out there about Watercolour, when one buys a book, often the same material is conveyed, albeit sometimes in a different way.
Upon closer inspection I found that the ‘Tips, Tricks & Techniques’ contain:
52 Mini step-by-step instructions
52 Q & A’s
52 Troubleshooting tips
52 Bits of creative advice
52 General tips
52 Definitions
52 Exercises
I was impressed enough to buy the book. It looks very interesting and in viewing the book there are a quite a lot of things that I didn’t know (I’m not a full-time Artist). I believe I am going to enjoy using this book to help me in my Watercolour journey. Thank you, Leslie for producing this book. 🙂
Sometimes along a journey you wonder whether you are improving or not. I remember this happened with Toastmasters early on. I was going along to meetings, writing, rehearsing and giving speeches, taking on roles etc and after three months, I wondered it was having an effect?
A colleague I worked with at the time suddenly said one day, ‘David, you are appear to have greater confidence these days, what’s the secret?’ I knew then that going to Toastmasters had started to affect me in a positive way.
With my Watercolour sketches I have wondered the same thing, although it is easier in one way to gauge improvement as I have tangible evidence in the form of previous Watercolour sketches.
During lockdown last year I did 120 YouTube tutorials in a row and occasionally, I do more. One of the ways I am trying to gauge improvement is to go back to a tutorial but not actually ‘do the tutorial.’
Instead, what I do is sketch the image and do the painting without watching the tutorial. This way, I am trying to gauge what I can do without the step-by-step instruction to see how close I can get to the one I did when I did the tutorial.
Today’s Watercolour sketch (Day 727) is an example of that. I did the tutorial (Nil Rocha Art) back on Day 500. I have added a couple of shrubs and there are some other elements which I have changed but I am pretty happy with the result. I would love to reach the skill level of the tutorials. More practice required!
Day 727 of a Watercolour Sketch a Day – Without the tutorial
Day 500 of a Watercolour Sketch a Day – With the tutorial
I’m happy with my progress with Watercolour in general and with Line and Wash, however, I am looking forward to the time I can do a face-to-face Watercolour course with a professional. I was due to start a 10 week course like this when Covid hit.
I’ve been using Winsor & Newton Cotman Half-Pans for over two years now. I’m thinking that maybe it is time to jump to Artist quality paints and have purchased a set of Primaries.
Still have so much more to learn. Still having so much fun! 🙂
Communicating Creatively 