A Space To Learn, Create & Express!

As I’m not a full-time Artist I need to be organised enough to find those capsules of time that enable me to play and create. From 1982 to say 2014, Photography was my ‘vehicle of creative escape’. In 2010, I completed a 6-week Drawing course and over the ensuing 8 years Drawing/Sketching/Painting (Oils) and Photography jockeyed for the position of my No. 1 ‘escape from life’ method.

In late 2018, Watercolour came storming back (along with Line and Wash) and, they became an increasing part of my existence. With the commencement of my Watercolour Sketch a Day/Daily Art Practice on 26 January 2019, both of these forms are the predominant way I like to express myself in terms of Art.

In-between though, Oils have been present although my Oil habit has been in hiatus this year, until last week. I intend to do more in Oils and have several ideas in mind for paintings.

Back to my initial sentence.

Not only do I need to find capsules of time, I needed to have a proper space. No actual studio here however. Over time, I have been re-purposing our 3rd bedroom.

On Thursday I purchased an Art and Craft desk which has an adjustable drawing surface. I used for the first time today and love it.

I now have a desk dedicated to Watercolour/Sketching, a desk dedicated to Oil painting and my computer desk. No more re-purposing desks/clearing space for something else and wasting time in the process.

Whilst I do most of my sketching/painting on weekends (apart from the Watercolour sketches that are done each day), I am now looking to schedule some nights during the week when I can avail myself of my ‘creative space’.

There is also a comfy 2-seater cane chair where I can sit back, pick up my Fountain Pen and write Poetry, read or just contemplate…

A space to learn, create and express.

Written by David Johnson

4 June 2022

PS: After writing this I came across the following great article about Artist’s Studios by Judith on her site, Artistcoveries.

https://wordpress.com/read/feeds/45138733/posts/4052582242

Sketchbooks – 2 favourites so far

It’s not so hard to imagine that there is no such thing as ‘the perfect Sketchbook’.

In my Watercolour/Line & Wash journey thus far I’ve tried a few different types and I would like to discuss two of my favourites.

Before I start though, I should mention what I use to do the line sketch as that alone can determine which type of sketchbook I use. I love using Dip Pens and also Pigment liners and as I’ve found, sometimes I have to use one or the other depending on which sketchbook I choose to use.

Moleskine: I’ve enjoyed using both A4 and the A5 versions. Currently, I’m using the A4 version as it will allow me to do 240 ‘Watercolour Sketch a Day’s’ in it. My daily sketches are mostly half A5 in size and the A4 sketchbook has 60 pages. The book is 25% Cotton and 200gsm which allows me to use both the Dip Pens and the Pigment Liners and it will take water, not a huge amount but some.

Winsor and Newton Visual Diary: I’ve only a couple of pages left in this one so I will soon be purchasing another. It is 100% Cotton and 200gsm in weight and so it takes substantially more water than the Moleskine, but interestingly, I cannot seem to use the Dip Pens in it so I use the Pigment Liners.

I’ve also tried the Strathmore Visual Journal in both A4 and A5 in both 90lb/200gsm and 140lb/300gsm and the latter copes with a lot more water but I found the paper doesn’t show the colours off as well as the two sketchbooks mentioned above, to me anyway.

Interestingly, when I use Art Spectrum waterproof ink in the Strathmore sketchbook, it takes longer to dry (up to half an hour) than if I use it in the Moleskine sketchbook.

I would be happy to hear people’s thoughts about any other sketchbooks that they would recommend that I try.

Written by David Johnson

16 December 2021

Journey To 1000!

Last Wednesday, I completed my 1,000th Watercolour Sketch a Day in a row. All of them are posted on one of my Instagram Pages – Communicating Creatively.

When I first started this Watercolour Sketch a Day journey way back in January 2019, it was for the following reasons:

  • I wanted to foster a daily Art practice
  • I wanted to improve my sketching, drawing and painting

It has been a journey of fun, challenges, (lots of mistakes), experimentation, learning and practice, practice, practice!

Day 1 of a Watercolour Sketch a Day – 26 January 2019

I remember completing 7 days straight and I was really pleased…could I make it to two weeks? Throughout the journey, I have just kept my eyes on the current day and aimed to do a sketch a day. Many people have asked me what is the end goal? Is it 1,000, 5,000, 10,000? The answer remains the same, ‘I’m just trying to do ‘a sketch a day and improve my skills’.

About 8 months of the 1,000 days we were in lockdown so I couldn’t get out to sketch en Plein Air so I completed tutorials, mainly by Peter Sheeler and Nil Rocha Art, and used reference photos (some of which were my own) and sketched from my imagination. On business days it normally has to be from the imagination or a reference photo.

It would be great to say that I improved with each sketch but that did not always happen as I felt, at times, that I plateaued for longer periods than I imagined would happen. Somedays it would seem that I was going backwards, too…

It was also a challenge doing the sketches some days due to tiredness from the business of the working day (I co-run a Finance Broking business and have a part-time role as an Entrepreneurship Facilitator, am involved with Toastmasters International and Red Point Art Association) plus more. There have also been health challenges in our family, and extended family to deal with, including losing three of them.

The practice of doing one a day was also quite meditative. More often than not, I would be playing music softly in the background. With all that has been going on in the world at large and our own world it has been quite a calming experience. I highly recommend it!

Day 1,000 of a Watercolour Sketch a Day – 27 October 2021 (Peter Sheeler Tutorial)

Mostly, I did the sketches in the morning as I was fresher. To get this done before the working day started, I rose earlier. Sometimes, I would get the line sketch done and do the painting after the working day was done. During the week, the sketches are A5 size and on the weekends sometimes larger.

One of the challenges I have in front of me is to be able apply the techniques that I have learnt during the tutorials to my own original works so the journey continues.

Today is Day 1,004 so I will leave it there as I hear my Watercolour Sketchbook calling me!

Written by David Johnson

31 October 2021

Freedom Through Sketching and Painting

I love the freedom Sketching and Painting gives me.

One basically starts off with no image on canvas or paper. You might have an image in mind and then you set about creating it from your imagination or a memory, or indeed a combination of both.

If you are using a reference photo you already have a basic framework though, generally speaking and unless you are into Photo Realism, you will come up with an interpretation of the image at hand.

The Photographer has a scene before them. Certainly, (they can create an image in Photoshop from other images) but they don’t have to create shadows or the image when they are ‘live’ to a scene.’ Many scenes are already presented.

They choose the composition and begin shooting.

The Painter on the hand has to sketch/draw (mostly) the contents of the image, creating the effect of shadows, light, shape, texture and form with essentially 3 things, canvas, brush, pigment and a skilful hand.

Painting en Plein Air is the closest relation to Photography, I feel. Both the Painter and the Photographer have a scene in front of them and it is up to them what they distill from that scene, composition-wise to come up with an image.

The Photographer manipulates through camera, lens, lighting, angle, filter and later Photoshop or similar, using their imagination as well.

The Painter manipulates with their choice of canvas/paper, brush, pigment, line, angle, light and uses their imagination as well.

Back in the studio both can finish off their piece.

I’m not trying to say that Painting is better or is more creative than Photography though as each medium is irreplaceable. Painting cannot replace the immediacy of Photography. Photography can capture that ‘moment in time’ in less than a second, Painting cannot.

On a personal level, I have been photographing since the early 1980’s, although not as much these days. Sketching and Painting has certainly taken over, particularly in the last 2 years.

One of the things that I love about Sketching and Painting is the freedom it gives me and also the challenge of creating an image using basic tools. 

In an article a while ago I wrote called, ’There Are No 36 Megapixel Brushes’ I wrote about how someone can take a photo with something as simple these days as a phone camera and, due to the technology available, come with a technically decent image. Composition/imagination is another story, however.

As a Sketcher/Painter, we cannot go out and buy a Brush and Pigment that will give us a technically brilliant sketch or painting.

Yes, there are electronic Sketching and Painting apps but you still have to have the technical and artistic skill to create the image.

I still love Photography but it takes up a different place in my life these days. Equipment-wise, I’m heading towards Mirror-less cameras and a high-end compact that I can take anywhere.

I’m thoroughly enjoying my journey in Sketching and Painting and I can see myself continuing this journey for many years to come.

Written by David Johnson

11 October 2020

Sketching The World

Sketching the world 1

Warmth and Light

Warmth and Light (2)

A Fishy Tale!

A Fishy Tale!