The ‘Serpent’ was painted with the Sumikondo watercolours. The sand, ocean, and most of the island in the distance were painted with the Gansai Tambi watercolours. Daniel Smith paints were used a little for shadows, mainly under the rock.
The idea for the painting came from one of my Watercolour Sketch a Day sketches. This week’s painting was quite a different image in terms of colour and texture than the sketch I did below. Different paint and paper were used for this one.
I paint a fair bit from imagination. I also use my own reference photos. Sometimes, I paint from photos I come across on the Internet (and give them credit, of course).
The painting below comes from my imagination, and I called it, “Seaview.’
Materials used:
Baohong The Master’s Choice Artist Rough texture, Block Watercolour Paper
Daniel Smith, and Winsor & Newton Watercolour paint
Neef brushes
Size: 15 x 23cm (5.9 x 9 inches)
From the moment I starting using this paper, I loved it. I had never used rough textured paper or block paper before.
I purchased the smaller size just to try it out. Am looking to purchase a larger block. This paper is so much fun to use. 🙂
Four days ago, on 13 August 2024 I completed by 2,000th Watercolour Sketch a Day in a row.
Back in 2018, I had started back doing Watercolour after doing it briefly in 2010 after doing a basic, six-week Drawing course. Photography was still my main creative interest at the time so doing Watercolour, or any other sketching/painting-related activity was just something I dabbled in for a bit of fun, on and off for the next eight years.
Towards the end of 2018, I wanted to start to learn Watercolour however, I was only getting to do it once or twice every two-three weeks which was frustrating. Around that time, I was talking to a business friend, who in outside hours, sketched in Charcoal and also used Soft Pastels. Also, I have been listening to a podcast called, ‘Sketching Stuff’ over time, which was broadcast by Charlie O’Shields who created the ‘Doodlewash’ website. Charlie had done a Watercolour sketch a day & a blog post every day for 5 years. He only stopped as he was going to be working on a project, doing illustrations for children’s book from memory.
I thought that something like what Charlie did seemed impossible, but he had done it. I didn’t start straight away, though.
On 26 January 2019, it was Australia Day and I was sitting at home relaxing and thought I would do a Watercolour sketch, the one you see below.
It was done on cheap Monte Marte paper with Sennelier Student Watercolour half-pans. This sketch ended up being Watercolour Sketch a Day, Day 1.
I set my goal as doing ‘one Watercolour Sketch a day’, and that is still my goal. I was very pleased to reach seven days in a row. Quite chuffed actually. I almost stopped after 400 days in a row, then I thought ‘this is so much fun’, and it became a kind of meditative experience where I could ‘zone out’ from the day.
Sometimes, I do the sketches early in the morning before the business day gets going. Other times, I do them at the end of the day. I really look forward to the time I spend doing them. Sometimes, I spend 10-15 minutes, other times it is 30 minutes or more. It just depends on the day.
Sometimes, you notice improvements, and other times it can feel like the sketches are not as good as some of the previous ones. It’s kind of like Life, or building a business.
The Watercolour Sketch below is the one I did for Day 1,000. It was tutorial by Peter Sheeler on YouTube. Early on I did quite a few tutorials, particularly by Peter Sheeler, and Nil Rocha Art. I highly recommend them.
Between 1,000 and 2,000, I’ve done less tutorials and more
sketching from imagination
sketching from my own reference photos
en plein air
Within that time, I’ve also attended quite a few sketch-meets with Urban Sketchers Sydney and Urban Sketchers Wollongong, and over the past few years, I’ve obtained a lot of inspiration from being a member of Macarthur Art Group and Red Point Artists.
I also use much better, Artist quality paper this days and a few years ago switched to Artist quality paper and brushes which certainly makes a difference.
For my 2,000th Watercolour Sketch a Day, I chose to do a landscape/seascape below. This is a variation of a previous one I did. Sometimes, I like to go back to a previous sketch and see if I can improve upon it, from last time. Very happy to have this image as #2000!
So, where to from here?
Well today is 5 years, 203 days of a Watercolour Sketch a Day and I’ll be doing it at an Open Day called “Back to Belgenny”, which is being held at a colonial homestead about 1/2 hour from where I live. I’m one of quite a few members of Macarthur Art group who are doing en plein air demonstrations for the public, which seems a long way from the Day 1 sketch I did in my lounge room back on Australia Day 2019.
I am loving the different experiences of this Artistic journey, which I will be continuing for a long time to come yet. 🙂
Written by David Johnson
17 August 2024
All the Watercolour Sketch a Day images are on my Instagram:
Yesterday, I just finished a watercolour painting on Arches Watercolour paper. For many years, I have heard just how great it is, and I have to say that I enjoyed using it immensely.
The main reason I hadn’t used it before is that it is one of the expensive Watercolour papers out there. At this point, the largest Watercolour paper I have used on a regular basis is A4.
I purchased a pack of A3, as the store had no packs of A4 left. It was 20% off and I cut each sheet in half as I go to use it.
The image below came from my imagination.
“Distant Delight”
Materials used:
Arches Watercolour Paper 300gsm 100% Cotton A4 Cold Pressed
Paints: Daniel Smith; Winsor & Newton: Schminke
Neef Watercolour brushes
I thoroughly enjoyed using this paper. As I get to use it more, I will highlight more about it. Looking forward to the next one!
Today marks 5 years of doing a Watercolour Sketch a Day, every day, straight!
On 26 January 2019, I decided to aim to do a Watercolour Sketch a Day as I wanted to:
Create a daily Art practice
Improve my skills
I remember that after 7 days being happy that I had managed to get that far. Prior to setting my goal of a Watercolour Sketch a Day, I used to do one and then Life would get in the way, and before too long, 2 weeks had gone by. At that rate, it would take me a long time to improve.
Here is Watercolour Sketch a Day #1
It was done on cheap Monte Marte Watercolour paper with Winsor and Newton Cotman Half-Pan Watercolour paint.
About a month after I started, I was about to sign up for 10-week Watercolour course, then the first Covid lockdown hit, and so no course. Instead, I did 120 days straight of YouTube tutorials.
As time went by, gradually I improved however, I also noticed that I would ‘plateau’ and sometimes it seemed that I was going backwards…
Mostly, I endeavour to do the Watercolour Sketch a Day in the early morning before ork although due to various commitments, that is not always possible. The later in the day it gets done, of course the more tired I am so sometimes, the resulting sketch is not as good perhaps as it would have been if I had completed it earlier. Whatever I come up with I post on my Instagram page called ‘Communicating Creatively.’ All 5 years of Watercolour Sketch a Day’s are there.
The latest I have completed was 11.00pm at night.
Also, over time, I changed to using Artist quality Watercolours (Winsor & Newton; Daniel Smith and Schminke), and starting using Artist quality 300gsm/100% Cotton (Saunders Waterford; Winsor & Newton), and Art Spectrum 300gsm/35% Cotton materials.
Here is today’s Watercolour Sketch a Day.
So, where to from here?
I am looking forward to doing Watercolour Sketch a Day, 5 years 1 Day tomorrow. Yes, the journey will continue as I feel I have a long way to go to get to where I want to be as an Artist. I need to get outside my comfort zone more, too.
A few people have asked me, over time, what is the number you are heading for?
My reply is simple, all I am aiming to do is ‘a Watercolour Sketch a Day’ to practice and improve my skills. I just happened to have done that every day, for 5 years straight.
A little while ago I stumbled across a ‘Watercolour Canvas’ product in Spotlight, a material and craft store in my local area. Not that I’m all that experienced in Art but I didn’t know there was such a thing called Watercolour canvas. I thought canvas was for mediums other than Watercolour.
It is made by a business called ‘Semco’ and although it is branded ‘Artist Quality’ I’m not sure you would class it as such bearing in mind where it is being sold, the minimal cost and the fact that the term, ‘Artist Quality’ seems to get put on a lot of materials regardless of whether it is or isn’t ‘Artist Quality’. It comes in a range of sizes just like normal canvas and is available in a board or in stretched form.
My first attempt on a board is below, an image using a reference photo I took on our third trip to Norfolk Island, earlier this year. I did a light sketch of the image in pencil, then sketched over the pencil with pigment liners then started painting. The paint sticks sometimes and glides across other times and I used about 3-4 layers in some areas.
I particularly liked the painting in weathered boat areas.
“Old Lighter” – Norfolk Island
My second attempt on the board is below, a rather simpler, straight Watercolour image. Painting the ocean was particularly challenging as the paint hardly seem to stick to the canvas with the first attempt to apply paint. After letting it dry, I applied more paint and the original paint seemed to get disturbed so, in the end, I used less water and a bit more paint and painted very lightly.
“Feeling of Summer”
I have a few more boards left and look forward to experimenting with them, though I might apply some Gesso first to see what that does. I also have a couple of stretched Watercolour canvas 8×10’s here, one of which I’m experimenting with.
For my daily Art practice today, I chose to do another interpretation of a previous sketch that I had done, which was based on a reference photo that I took on Norfolk Island on our holiday, earlier in the year.
“Lighters” (wooden boats that up until recently were used to unload to, from cargo ships) continue to be an endless source of fascination to me.
Day 1,249 of a Watercolour Sketch a Day
Today I used the following materials:
Canson 300gsm Watercolour paper
ArtSpectrum Waterproof Pigment ink
Manuscript Dip Pen with Mapping nib
Winsor and Newtown Artist quality paints
Neef brushes
Perylene Maroon
Burnt Sienna
Ultramarine Blue
Sepia
I seem to have an attraction to peeling paint and rustic subjects in terms of sketching and painting, which is really not surprising as in my enthusiast photography days the same sort of subject matter attracted me, particularly in early morning or late after night.
Day 1,151 of a Watercolour Sketch a DayMy reference photo
I look forward to doing another version of this as I feel I would like to do one that is somewhere ‘between’ the two sketches above.
Aside from doing my Daily Art Practice aka a Watercolour Sketch a Day (mostly A5 size), for a while now I’ve been doing A4 size Watercolours. In my daily art practice I try new things (and make lots of mistakes) and occasionally, I will do one that I would like to do a larger version of. I still make mistakes when I do the larger ones, though. I’ve never agreed with ‘practice makes perfect’, I think it should be ‘practice makes better’. Hopefully, over time I will continue to get better!
I’m looking to stretch myself in my Art-practice at every opportunity.
Arto Watercolour Paper 300gsm Cold Pressed Medium Surface – 100% Cotton Acid Free
Communicating Creatively 