A little while ago I stumbled across a ‘Watercolour Canvas’ product in Spotlight, a material and craft store in my local area. Not that I’m all that experienced in Art but I didn’t know there was such a thing called Watercolour canvas. I thought canvas was for mediums other than Watercolour.
It is made by a business called ‘Semco’ and although it is branded ‘Artist Quality’ I’m not sure you would class it as such bearing in mind where it is being sold, the minimal cost and the fact that the term, ‘Artist Quality’ seems to get put on a lot of materials regardless of whether it is or isn’t ‘Artist Quality’. It comes in a range of sizes just like normal canvas and is available in a board or in stretched form.
My first attempt on a board is below, an image using a reference photo I took on our third trip to Norfolk Island, earlier this year. I did a light sketch of the image in pencil, then sketched over the pencil with pigment liners then started painting. The paint sticks sometimes and glides across other times and I used about 3-4 layers in some areas.
I particularly liked the painting in weathered boat areas.
My second attempt on the board is below, a rather simpler, straight Watercolour image. Painting the ocean was particularly challenging as the paint hardly seem to stick to the canvas with the first attempt to apply paint. After letting it dry, I applied more paint and the original paint seemed to get disturbed so, in the end, I used less water and a bit more paint and painted very lightly.
I have a few more boards left and look forward to experimenting with them, though I might apply some Gesso first to see what that does. I also have a couple of stretched Watercolour canvas 8×10’s here, one of which I’m experimenting with.
For my daily Art practice today, I chose to do another interpretation of a previous sketch that I had done, which was based on a reference photo that I took on Norfolk Island on our holiday, earlier in the year.
“Lighters” (wooden boats that up until recently were used to unload to, from cargo ships) continue to be an endless source of fascination to me.
Today I used the following materials:
Canson 300gsm Watercolour paper
ArtSpectrum Waterproof Pigment ink
Manuscript Dip Pen with Mapping nib
Winsor and Newtown Artist quality paints
I seem to have an attraction to peeling paint and rustic subjects in terms of sketching and painting, which is really not surprising as in my enthusiast photography days the same sort of subject matter attracted me, particularly in early morning or late after night.
I look forward to doing another version of this as I feel I would like to do one that is somewhere ‘between’ the two sketches above.
Aside from doing my Daily Art Practice aka a Watercolour Sketch a Day (mostly A5 size), for a while now I’ve been doing A4 size Watercolours. In my daily art practice I try new things (and make lots of mistakes) and occasionally, I will do one that I would like to do a larger version of. I still make mistakes when I do the larger ones, though. I’ve never agreed with ‘practice makes perfect’, I think it should be ‘practice makes better’. Hopefully, over time I will continue to get better!
I’m looking to stretch myself in my Art-practice at every opportunity.
Arto Watercolour Paper 300gsm Cold Pressed Medium Surface – 100% Cotton Acid Free
Poetry and Prose by Author of #1 Amazon New Release, Nature Speaks of Love and Sorrow, Co-Author, #1 Amazon Bestseller, Wounds I Healed: The Poetry of Strong Women, Spillwords Press Author of the Month, Jan/Feb 2022, and Monthly Contributor to MasticadoresIndia/USA, 2022.