Inspirations – Photography: Duane Michals b.1932

Duane Michal’s Art has, throughout his photographic life been met with controversy as he has a non-conformist view of photography.

“The Joy Of Photography Volume 2” indicates that his chief inspiration was Surrealism. The Surrealistic Painters, he said, ‘always contradict people’s assumptions, whilst photographers never do.’

Duane Michals often attempted to ‘play with people’s minds’ in his Art rather than ‘record’ a scene, whether it be shooting standalone images or shooting a series of images on a theme.

He said the magic was ‘seeing people in different ways.’

He preferred Environmental Portraiture and worked in Black & White with existing light and compared his photography with the writing of fiction. He often placed a familiar subject (or object) in unfamiliar territory or in an unfamiliar way or context.

One of my favourite photographic quotes is attributed to him….

“Trust that little voice in your head that says, ‘wouldn’t it be interesting if….’ and then do it.” – Duane Michals.

I first came across the above quote in 1982 (when my own serious photographic journey began).

Duane Michals inspires me in ‘how I think about photography.’ As I am shooting that quote springs to mind every time and I encourage every photographer to do the same.

I’ve included the following link so that you can view some of his images.

http://duanemichals.tumblr.com

 

‘Photography Of The Age’ – Newspaper Photography In Australia

The title of this article comes from a photographic book I purchased some years ago. It’s about Newspaper photography within Australia, highlighting the 22 photographers who shot for ‘The Age’ Newspaper in Victoria. The book was published in 1993.

It is compiled by Kathleen Whelan, Photographer, who has a Masters Degree in Education and whose images are in collections in Australia, the USA and Peru.

Before it moves onto the photographers it discusses the role of the newspaper, legal and ethical constraints, processing, IMG_2808presentation, the press photographer’s role and characteristics of good newspaper photographs to name but a few of the areas covered.

Moving onto the photographers, the author delves into the minds of the photographers, gaining insights as to ther individual views as to ‘what they look for’ and ‘how their minds work’ when searching for and conveying an idea. Example images from each of the photographers are included.

Towards the rear of the book there are several case studies that cover the image, statement, camera use, design and print quality of selected photographs.

Finally, there are 26 ‘projects’ for the aspiring Photography, Art, Studio Art or Media Studies students to do.

All in all a fascinating book that I am grateful that I have on my bookshelf. I find it an inspiring read, packed with images that inspire, intrigue and amuse.

Written by David Johnson
7 September 2015

There Are No ’36 Megapixel Brushes….’

A long, long time ago (when Photography was first invented) Painters were worried that this new Art would kill them off. Why would anyone need to paint when you could just take a photo?

Of course this proved to be a fallacy. The Art of Painting grew.

Fast-forward to the 21st Century, where Digital technology has seen the most wondrous advances in photo production (the Megapixel race continues), where image manipulation software turns photos into Watercolour, Oil, Sketches and thousands of other effects are possible in a myriad of combinations.

Is there a threat to the Art of Painting now?

No.

Just like in Photography, Painting requires technical skill however (all things being equal) our individual imagination, ideas and expressive ability are what set us all apart.

In Photography it has never been easier to obtain a ‘technically competent image’ with all the technological advances that have been made. Technology however has not yet been able to replace our imagination. Photographers continue to express their ideas in new and interesting ways, based on their individuality, their environment and the influences present in their lives.

In Painting, whilst there are different grade brushes, paint and canvas options, there are no ’36 Megapixel brushes’ to give the Artist a technically-competent painting. The Painter must continue to endeavour to master the techniques and then introduce their imagination and ideas and be able to express them.

As a Photographer of 33 years and (at this point) a casual Painter of 3 years, the challenge is ahead to endeavour to master the technical aspects of painting so that I may then use my imagination to express my ideas to their fullest.

It is a challenge I am really looking forward to!

Written by David Johnson
6 September 2015

Inspirations… Photography

Whenever we have an interest, be it in Art, Sport, Work or in another area of Life, there are people that will inspire you.

Over time I will be highlighting the men, women and groups that have (or still do) inspire me.

I begin with one of my favourite photographers, Margaret Bourke-White: (1904 – 1971)

Margaret Bourke-White was a pioneer in many ways and her specialties included Photojournalism, Social Documentation, Architectural, Industrial and War photography, working in predominantly Black & White. She was one of LIFE Magazine’s most prolific photographers.

20150820-IMG_2573-1Margaret Bourke-White had a fascinating life full of challenges and adventures. I remain captivated by her imagery and her boldness in overcoming both work-related and personal challenges throughout her prolific photo-taking period from 1920’s through the 1950’s. She was indeed a pioneer.

In photographing in a Steel plant she used heavy equipment (that today would seem antiquated) and experimented with lenses, films, Magnesium flares and her imagination to obtain dramatic Industrial images.

Margaret Bourke-White also worked with Writer, Erskine Caldwell on the ‘You Have Seen Their Faces’ Sharecropper farmers that affected 10,000,000 Southern Family lives in the United States in 1936. The project was approached in a compassionate manner. The images are powerful and depict the farmers’ harsh way of life…

She was a pioneer of the ‘photo essay’ and photographed many of the leaders of her time, including Gandhi, Pope Pius XII, Stalin, Roosevelt, Churchill.

I look at her images and can see a great sense of personal involvement from her in them. Immersing herself into her subjects, she was able to bring out graphic emotion and the beauty of light, shape and form. I have two books i.e. her autobiography, “Portrait of Myself” and the book pictured above.

A true inspiration!

Written by David Johnson
20 August 2015

Recommended reading:

“I am not interested in shooting new things – I am interested to see things new.” Ernst Haas

The title of this post is from one of my favourite Photographers.

There are quite literally millions of things to photograph and no photographer could rightly claim to have photographed everything there is, however we do not need to.

Hand Rail (outside McDonalds)
Hand Rail (outside McDonalds)

I often hear the comment, ‘there is nothing to photograph…” An amazing statement really… As I sit in my office I look out the window (in suburbia currently), I see many subjects and many ideas come to mind of what/how I could photograph them.

The problem isn’t the lack of subject matter. The problem is that we wander around blissfully unaware of our surroundings and we also get caught up in the world, rushing here rushing there.

STOP! Just for one moment wherever you are reading this! Look around.

Do you see a tree? Yes. Look at it as if it is not a tree, but an idea generator, branches as conduit bringing forth ideas (leaves) and photograph it accordingly…

Do you see a fence? Yes. Look at it as if it is not a fence, but a palette. A palette that has light dancing over it creating form and texture, lines and shapes.

Are you a glamour/nude photographer? View the body, not as a body but as a sculpture; view it as part of the landscape and photograph it accordingly…

Are you a flower photographer? View the flower, not as a flower but as a person with a personality…

Visual Diary
A4 Visual Diary

It is not lack of subject matter, it’s a lack of ideas.

The continued challenge as a photographer is that we need to reinvent and apply new ideas to the subject matter or as Ernst Haas eloquently puts it…

“I am not interested in shooting new things – I am interested to see things new.” Ernst Haas

Today, what will you see? How will you communicate it?

Written by David Johnson
3 August 2015

The Joy Of Instagram

Before the dawn of Smartphones and apps like Instagram, we photographers always liked to carry a camera with us for a high percentage of the time, be it your SLR camera or a compact of some description.

The reason was simple. You never know what you would come across during your day and you certainly would not want to miss out on that ‘photographic opportunity.’ In practice though we did not always take a camera with us.

For a fair while now we have had the phones and the apps with us and their usefulness increases each year.

One of my favourite apps is now Instagram. Whilst the images cannot be enlarged all that much I am taking more and images this way. I still use my DSLR for my business and serious personal projects however when I don’t have my DSLR with me I enjoy pulling out the camera and taking shots of images that impress me as I go about my daily routines.

I have included a few here however please feel free to check out my Instagram page.

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If you don’t have an Instagram page as yet, consider having one. I feel it helps me continue to ‘train my eye’ on a daily basis and it’s a lot of fun too!

https://instagram.com/lightinspireddj/

Written & photographed by David Johnson
© Light Inspired & CommunicatingCreatively/David Johnson 2015