My Photographic Journey – Part 3a – Camera Clubs/Photographic Societies

Camera Clubs/Photographic Societies were such a huge and integral part of my journey in Photography and those experiences cannot be summed up in just one post as there were several facets that I would like to cover.

When I walked into a Camera Club for the very first time, I was an extremely shy 23 year old (I can hear Perc Carter laughing now…). I’ll never forget my early visits to Campbelltown Camera Club in 1986. I joined in June of that year.

Logo from a T-Shirt members proudly wore around advertising our Club.
I still have the T-Shirt, though I doubt it would fit me these days!

Apart from ‘not being comfortable in a roomful of strangers’, as the prints started to go up on the print stands, I felt both inspired and inadequate at the same time.

I had been shooting for about 3 1/2 years and was starting to feel a bit more happy with what and how I was shooting. I knew there was room for improvement though. There always is…much more improvement when I saw what was in front of me!

The images in front of me were awe-striking. I had no knowledge at that time of how long some of my fellow members had been involved in photography. I had arrived as a member just in time for the ‘Top Shot’ Competition. I had never even considered going into a competition with my photography. Photography was just for fun.

Charlie Cowell won the overall Top Shot that year with a Still-Life image that had a background where ‘light just disappeared’ into the background.

I had been trying to shoot various Still-Life scenes but my backgrounds were awful. I sat there wondering how he did it and commented so to another member. The member said, ‘why don’t you ask him?’

Summing up the courage, I did. ‘Black Velvet’, Charlie said & proceeded to tell me what to buy and where to buy etc. I still have that piece of Velvet 35 years later…

I started to enter the competitions about a month later. Club competition entries, if successful, were awarded a Merit or Credit by the visiting Judge who evaluated the images on display and suggested points for improvement.

Myself being presented with a Bronze Medallion for 25 Merits in Monochrome c1990’s by then President, Enid Duncan.. I went on to achieve 75+ Merits in Monochrome; and 205 Merits in Slides which was/is a Club record for that medium. Wish I still had the hair!

I learnt so much going along to Campbelltown Camera Club in many ways, the competitions being just one of them.

It certainly helped build up my ‘photographic confidence’ over time and also, being exposed to a new group of people helped start me on the road to ‘general self-confidence’ too.

Over the next few articles, as I continue write about my Photographic journey, I will explore other facets of my wonderful experience of being a member of a Camera Club/Photographic Society.

A few years back, Campbelltown Camera Club changed it’s name to Macarthur Photographic Society. To find out more about MPS and how being a member can improve your Photography, click on the following link. https://macarthurphotographicsociety.org.au/

Till next time.

Written by David Johnson

27 February 2021

I’m Not Trying To Be Perfect, I Just Want To Be Me…

Last month, I purchased the book, ‘Watercolor 365 Daily Tips, Tricks & Techniques’ by Leslie Redhead. Already, I have seen the benefits of having this book to refer to.

One of the tips within the book is to, ‘stop using a pencil and eraser to draw with and instead use a marker instead.’ 

I wouldn’t call myself ‘naturally talented’ in drawing or sketching. It is a skill I am endeavouring to get better at and so, I have been practicing with ‘a pencil accompanied by a trusty eraser,’ though probably not as often as ought to have been. The thought of drawing/sketching with a non-erasable marker was quite daunting.

Apparently, using a marker instead of the pencil/eraser combination will result in gaining skills in drawing/sketching quicker and these are skills I can build my paintings on.

I took up this challenge this week, grabbing an A5 110gsm sketchbook and started sketching away. It is quite a refreshing experience, I must say. If I put a mark/line in the wrong place, I have to be creative and work out ‘how to save’ the sketch.

When I did a basic drawing course 11 years ago, the instructor looked at my drawings and said that, ‘I was a line drawer, not a tonal drawer and that my lines were so straight they looked like an architectural drawing.’

This is not necessarily bad, though. I guess its a style. One of my goals has been to try to ‘loosen up’ and not draw so many straight lines. I quite enjoy looking at the style of many Artists and hobbyists who draw/sketch/paint in a relaxed style.

We’ve all probably heard the line, ‘practice makes perfect.’ I’m not trying to be perfect I just want to be me’…and I am having fun exploring exactly what that means in terms of drawing, sketching and painting.

I’m practicing my sketching/drawing now more than ever and I am endeavouring to let go of the thought that the lines need to perfect.

It will take time and patience, but I’ll get there.

Written by David Johnson

February 2021

Day 706 of a Watercolour Sketch a Day

Back on 26 January 2019 when I started this ‘Daily Art Practice’ I could never have imagined that I would do it for 30 days straight, let alone 706…

I have no ‘lofty number goal’ in mind, I just aim to do ‘a sketch a day.’ Mostly, they are done upon rising, sometimes during the day and, less often at night these days. I believe it’s a great way to start a day.

From very early on it was like a form of meditation for me. I also wanted to learn the Watercolour and the Line and Wash mediums and was frustrated that I was only getting to do a sketch every 1-2 weeks because I thought, ‘that I didn’t have time…’.

We often think that, ‘we don’t have time’ for things. Often, when they become a priority, we do have the time.

I was asked a question recently in one of Art groups I’m on Facebook. ‘What is the one thing that you have learnt so far?’ My answer was that, ‘I have learnt that I have still so much to learn.’

Over the past few days, I’ve been thinking about this more and I feel that I could add some more answers to that question for the answer is more than, ‘just one thing’ so here goes…

  • It appears that I am in the process of developing a style or two
  • Favourite subjects to sketch and paint are starting to appear
  • From tutorials (especially) I am learning all sorts of wonderful colour combinations
  • Prior to embarking on this daily art practice, painting shadows were a weak point for me (still have a way to go with them but I’m improving)
  • The practice is encouraging me to ‘go outside my comfort zone’ in terms of subject matter and technique

On top of this it is building my confidence in sketching and painting. When I was a child I wasn’t very good at sketching, drawing or painting. I’ve dabbled over the years and my last real attempt (at sketching) before now was back in the early 90’s but as ‘Photography was King’ in my life it didn’t get much of a ‘look-in.’

Prior to lockdown I was about to do a 10 week Watercolour course which was, of course cancelled so during lockdown I did a YouTube tutorial for 120 days in a row. I’ve subscribed to two artists, Nil Rocha Art and Peter Sheeler. I would highly recommend both.

Recently, I started going back and re-doing some of the subject matter in the tutorials but without doing the actually tutorials as I want to see how much I’ve learnt and how I am applying it to the subjects.

Below are a few examples from the last 300 days:

Looking forward to Day 707 and beyond!

Written by David Johnson

2 January 2021

Thoughts In Flower

Book Treasure Abounds!

Last weekend on our mini-trip to Berrima for our ‘Other Anniversary’, one of the places we went to was one of our favourite bookshops, Berkelouw’s Book Barn. Berkelouw’s is a long-standing business which used to be a second-hand bookshop with approx. 250,000 books.

A few years back the business was converted to become a bookshop/restaurant/wedding reception venue. It now has only approx. 100,000 – 150,000 books.

Every year when we visit we set ourselves a budget and this year came away with more ‘book treasure.’

I was particularly delighted to pick up the following:

‘Artist’s On Art’ From the 14th to the 20th Century

It is an absolutely fascinating book which I am thoroughly enjoying ‘dipping into.’ To read what the Artists thought about Art in general and their own is indeed a delight!

‘Country Verse’ Edited by Samuel Carr

English Country Verse is set against English Country Landscape Paintings and it simply is wonderful to dive into and be whisked away to the English Countryside.

The other four books are novels and I am continuing to build up the library with classic authors of yesteryear:

‘The Black Arrow’ by Robert Louis Stevenson ‘The Great Gatsby’ by F. Scott Fitzgerald ‘Sweet Thursday’ by Johns Steinbeck ‘The Short Novels by John Steinbeck’ – ‘Tortilla Flat; ‘The Red Pony’; ‘Of Mice and Men’; ‘The Moon Is Down’; ‘Cannery Row’ and ‘The Pearl.’

Our trips to Berkelouw’s Book Barn never disappoint and we are looking forward to our next visit!

Written by David Johnson

25 November 2020


Our ‘Other’ Anniversary!

On the weekend closest to the 19 November we head down to Berrima as it is the anniversary of us ‘going out to dinner for the 1st time.’ We have done this every year since 1994.

Why Berrima (as we actually went out to dinner to the River Canyon restaurant in Parramatta 19.11.94)?

Berrima was the place where Susan & I went on a day trip (as Friends) and she (finally) said ‘Yes’ to going out to dinner with me (having previously said ‘No’ 5 times…).

We did our usual stop at Berkelouw’s Book Barn and came away with some more ‘treasure’; had morning tea at The Courthouse Cafe; browsed some more shops then had lunch at Josh’s Cafe & Restaurant before discovering more shopping treasure at an antique shop.

Here are a few images from another wonderful day spent celebrating our, ‘Other Anniversary!’

Written by David Johnson

22 November 2020

Artistic Opportunity

Last Friday week I was given the opportunity to part of a function called, “Open For Business” which was run by ‘Good Morning Macarthur’ a local production in the Macarthur Region of NSW at Oz Funland.

It featured four business owners who made up a panel and they shared their knowledge to enhance the local business community.

Also featured was a Samoan dancer called, ‘Tito’ and a selection of my Art, consisting of both Oil and Watercolour.

As with any region, business functions are common, however, due to Covid-19, business functions had been online mostly this year and often they feature only business-related activities.

The team at Good Morning Macarthur decided to do something a little bit different and it worked well mixing in a bit of entertainment and art.

Thank you to the team at Good Morning Macarthur for allowing me to display my Art. This is the first time multiple examples of my Art have been on display. We had a wonderful night!

Written by David Johnson

1 November 2020

Oil Painting Lives Again!

Since I started my Watercolour Sketch a Day aka daily Art practice on 26 January 2019, I haven’t used Oil paints. I love painting with them, it’s just that I’ve been so focused on Watercolour they seem to have disappeared from view.

That was, until last weekend.

I thought I’d start again and decided to paint two subjects that I had previously painted some time ago and see ‘how I would approach them now?’

The earlier paintings were painted with Student quality paints, the latter with Artist quality (Art Spectrum) paints.

The first one is of a Sand Dune:

In some ways I like the first version better (top shadow effect – dune) though I like the sky in the 2020 version better.

The second one is of the ocean:

This one is ‘no-contest’ as far as I can see! I love everything about the 2020 and not much at all about my earlier version.

I shall continue with my Watercolour Sketch a Day practice but Oils will not be disappearing into the background again, in fact, I’ve just started another one, a shipwreck.

Loving the journey!

Written by David Johnson

18 October 2020

Freedom Through Sketching and Painting

I love the freedom Sketching and Painting gives me.

One basically starts off with no image on canvas or paper. You might have an image in mind and then you set about creating it from your imagination or a memory, or indeed a combination of both.

If you are using a reference photo you already have a basic framework though, generally speaking and unless you are into Photo Realism, you will come up with an interpretation of the image at hand.

The Photographer has a scene before them. Certainly, (they can create an image in Photoshop from other images) but they don’t have to create shadows or the image when they are ‘live’ to a scene.’ Many scenes are already presented.

They choose the composition and begin shooting.

The Painter on the hand has to sketch/draw (mostly) the contents of the image, creating the effect of shadows, light, shape, texture and form with essentially 3 things, canvas, brush, pigment and a skilful hand.

Painting en Plein Air is the closest relation to Photography, I feel. Both the Painter and the Photographer have a scene in front of them and it is up to them what they distill from that scene, composition-wise to come up with an image.

The Photographer manipulates through camera, lens, lighting, angle, filter and later Photoshop or similar, using their imagination as well.

The Painter manipulates with their choice of canvas/paper, brush, pigment, line, angle, light and uses their imagination as well.

Back in the studio both can finish off their piece.

I’m not trying to say that Painting is better or is more creative than Photography though as each medium is irreplaceable. Painting cannot replace the immediacy of Photography. Photography can capture that ‘moment in time’ in less than a second, Painting cannot.

On a personal level, I have been photographing since the early 1980’s, although not as much these days. Sketching and Painting has certainly taken over, particularly in the last 2 years.

One of the things that I love about Sketching and Painting is the freedom it gives me and also the challenge of creating an image using basic tools. 

In an article a while ago I wrote called, ’There Are No 36 Megapixel Brushes’ I wrote about how someone can take a photo with something as simple these days as a phone camera and, due to the technology available, come with a technically decent image. Composition/imagination is another story, however.

As a Sketcher/Painter, we cannot go out and buy a Brush and Pigment that will give us a technically brilliant sketch or painting.

Yes, there are electronic Sketching and Painting apps but you still have to have the technical and artistic skill to create the image.

I still love Photography but it takes up a different place in my life these days. Equipment-wise, I’m heading towards Mirror-less cameras and a high-end compact that I can take anywhere.

I’m thoroughly enjoying my journey in Sketching and Painting and I can see myself continuing this journey for many years to come.

Written by David Johnson

11 October 2020

The Story Of Painting

A few weeks ago whilst browsing in a local bookstore, I came upon what I now know to be quite an impressive book titled, “The Story Of Painting – How Art Was Made.”

Almost every day since, I’ve picked up this book and have been instantly engaged by its contents. I find it to be fascinating, interesting, informative, inspirational and well-written.

To see a more detailed description and reviews by other readers, click on the following (shortened) link which will take you ‘Goodreads.’

https://bit.ly/3mV1lI9

I hope you enjoy it as much as I do!

Written by David Johnson

30 September 2020