Today, I visited my local Art and Craft shop, Eckersleys Art & Craft to spend a gift voucher I received for Christmas.
When I receive a gift voucher I always like to buy something memorable. It would be easy to spend it on more paints etc but those paints get used up and there’s nothing really left to show for spending the voucher.
Whilst surveying the shelves in the Art shop, I came across a book called, “Watercolor 365 – Daily Tips, Tricks & Techniques” by Leslie Redhead.
Buying any sort of ‘How To’ book can sometimes see us buying things we’ve already bought. They are so many books out there about Watercolour, when one buys a book, often the same material is conveyed, albeit sometimes in a different way.
Upon closer inspection I found that the ‘Tips, Tricks & Techniques’ contain:
52 Mini step-by-step instructions
52 Q & A’s
52 Troubleshooting tips
52 Bits of creative advice
52 General tips
52 Definitions
52 Exercises
I was impressed enough to buy the book. It looks very interesting and in viewing the book there are a quite a lot of things that I didn’t know (I’m not a full-time Artist). I believe I am going to enjoy using this book to help me in my Watercolour journey. Thank you, Leslie for producing this book. 🙂
Sometimes along a journey you wonder whether you are improving or not. I remember this happened with Toastmasters early on. I was going along to meetings, writing, rehearsing and giving speeches, taking on roles etc and after three months, I wondered it was having an effect?
A colleague I worked with at the time suddenly said one day, ‘David, you are appear to have greater confidence these days, what’s the secret?’ I knew then that going to Toastmasters had started to affect me in a positive way.
With my Watercolour sketches I have wondered the same thing, although it is easier in one way to gauge improvement as I have tangible evidence in the form of previous Watercolour sketches.
During lockdown last year I did 120 YouTube tutorials in a row and occasionally, I do more. One of the ways I am trying to gauge improvement is to go back to a tutorial but not actually ‘do the tutorial.’
Instead, what I do is sketch the image and do the painting without watching the tutorial. This way, I am trying to gauge what I can do without the step-by-step instruction to see how close I can get to the one I did when I did the tutorial.
Today’s Watercolour sketch (Day 727) is an example of that. I did the tutorial (Nil Rocha Art) back on Day 500. I have added a couple of shrubs and there are some other elements which I have changed but I am pretty happy with the result. I would love to reach the skill level of the tutorials. More practice required!
Day 727 of a Watercolour Sketch a Day – Without the tutorial
Day 500 of a Watercolour Sketch a Day – With the tutorial
I’m happy with my progress with Watercolour in general and with Line and Wash, however, I am looking forward to the time I can do a face-to-face Watercolour course with a professional. I was due to start a 10 week course like this when Covid hit.
I’ve been using Winsor & Newton Cotman Half-Pans for over two years now. I’m thinking that maybe it is time to jump to Artist quality paints and have purchased a set of Primaries.
Still have so much more to learn. Still having so much fun! 🙂
Back on 26 January 2019 when I started this ‘Daily Art Practice’ I could never have imagined that I would do it for 30 days straight, let alone 706…
I have no ‘lofty number goal’ in mind, I just aim to do ‘a sketch a day.’ Mostly, they are done upon rising, sometimes during the day and, less often at night these days. I believe it’s a great way to start a day.
From very early on it was like a form of meditation for me. I also wanted to learn the Watercolour and the Line and Wash mediums and was frustrated that I was only getting to do a sketch every 1-2 weeks because I thought, ‘that I didn’t have time…’.
We often think that, ‘we don’t have time’ for things. Often, when they become a priority, we do have the time.
I was asked a question recently in one of Art groups I’m on Facebook. ‘What is the one thing that you have learnt so far?’ My answer was that, ‘I have learnt that I have still so much to learn.’
Over the past few days, I’ve been thinking about this more and I feel that I could add some more answers to that question for the answer is more than, ‘just one thing’ so here goes…
It appears that I am in the process of developing a style or two
Favourite subjects to sketch and paint are starting to appear
From tutorials (especially) I am learning all sorts of wonderful colour combinations
Prior to embarking on this daily art practice, painting shadows were a weak point for me (still have a way to go with them but I’m improving)
The practice is encouraging me to ‘go outside my comfort zone’ in terms of subject matter and technique
On top of this it is building my confidence in sketching and painting. When I was a child I wasn’t very good at sketching, drawing or painting. I’ve dabbled over the years and my last real attempt (at sketching) before now was back in the early 90’s but as ‘Photography was King’ in my life it didn’t get much of a ‘look-in.’
Prior to lockdown I was about to do a 10 week Watercolour course which was, of course cancelled so during lockdown I did a YouTube tutorial for 120 days in a row. I’ve subscribed to two artists, Nil Rocha Art and Peter Sheeler. I would highly recommend both.
Recently, I started going back and re-doing some of the subject matter in the tutorials but without doing the actually tutorials as I want to see how much I’ve learnt and how I am applying it to the subjects.
Walking is something I love to do, however, unfortunately, it is something that has only happened intermittently of late due to all sorts of reasons and maybe a couple of excuses.
What better time to restart the activity than the time between Christmas and New Year.
Unlike last year here in Sydney Australia (when bushfires and thick smoke continued for months and 40C/104F+ temperatures), this Christmas has seen downpour after downpour and (so far) cooler temperatures 23C/73F – 33C/91F for Summer.
This morning I walked approx. 3km/0.62miles just ‘as a starter’ as it has been nearly 2 months since the last one. With cloudy skies and recent rain it was ‘cloudy bright’ overhead which delivered nice, even lighting.
On my travels today, I found some interesting tree bark patterns and thought I would share them. Mother Nature certainly provides us with a range of designs and colours. I hope you enjoy them as much as I did.
A while ago, during my Watercolour Sketch a Day/Daily Art Practice venture I discovered the joys of ‘Line and Wash’ and started off with thin Artline pens then progressed to Staedtler Pigment Liners and still enjoy using them immensely.
Parallel to this I have been enjoying using a couple of Fountain Pens to write my poems with. I do so enjoy the ‘flow of the ink’ and just then general feeling one gets when writing with them. For me, there is no better writing experience.
In my Art ’travels’ I came across Dip Pens which hark back to olden days of a pen without ink, that one had to ‘dip’ to obtain the fluid to write with.
A few months ago, I purchased a set of Manuscript Nibs that came with two holders (pictured below and a bottle of Art Spectrum Pigment Ink). Since then I’ve added a ‘Postal’ Nib and had been seeking an appropriate reservoir to hold the ink (the Art Spectrum bottle comes with an eye-dropper so as a reservoir the bottle is impractical for that purpose).
After trying an inadequate plastic option I found a small screw-type glass bottle in a discount store for the princely sum of $2.50 and have been using that with some success.
Last weekend whilst on our Berrima NSW trip I found a Parker, ‘Quink’ ink bottle in the Sticky Beaks Antique store for $25.00 with its original box. Once I clean the dried ink out of it I will use it as the main reservoir.
I actually went into the store looking to see if they had an old-fashioned ink well. The had one made of Bakelite for $220.00, however, the ink reservoirs were so small that I couldn’t see the value.
For now, I am happy to use the two bottles as reservoirs and shall continue my search for an ink well that is of reasonable price and condition.
As far as sketching/drawing with the Dip Pens, I must say that I am enjoying the experience but still have much to learn.
On the weekend closest to the 19 November we head down to Berrima as it is the anniversary of us ‘going out to dinner for the 1st time.’ We have done this every year since 1994.
Why Berrima (as we actually went out to dinner to the River Canyon restaurant in Parramatta 19.11.94)?
Berrima was the place where Susan & I went on a day trip (as Friends) and she (finally) said ‘Yes’ to going out to dinner with me (having previously said ‘No’ 5 times…).
We did our usual stop at Berkelouw’s Book Barn and came away with some more ‘treasure’; had morning tea at The Courthouse Cafe; browsed some more shops then had lunch at Josh’s Cafe & Restaurant before discovering more shopping treasure at an antique shop.
Here are a few images from another wonderful day spent celebrating our, ‘Other Anniversary!’
Since I started my Watercolour Sketch a Day aka daily Art practice on 26 January 2019, I haven’t used Oil paints. I love painting with them, it’s just that I’ve been so focused on Watercolour they seem to have disappeared from view.
That was, until last weekend.
I thought I’d start again and decided to paint two subjects that I had previously painted some time ago and see ‘how I would approach them now?’
The earlier paintings were painted with Student quality paints, the latter with Artist quality (Art Spectrum) paints.
The first one is of a Sand Dune:
2014 & 2020
In some ways I like the first version better (top shadow effect – dune) though I like the sky in the 2020 version better.
The second one is of the ocean:
2012 & 2020
This one is ‘no-contest’ as far as I can see! I love everything about the 2020 and not much at all about my earlier version.
I shall continue with my Watercolour Sketch a Day practice but Oils will not be disappearing into the background again, in fact, I’ve just started another one, a shipwreck.
I love the freedom Sketching and Painting gives me.
One basically starts off with no image on canvas or paper. You might have an image in mind and then you set about creating it from your imagination or a memory, or indeed a combination of both.
If you are using a reference photo you already have a basic framework though, generally speaking and unless you are into Photo Realism, you will come up with an interpretation of the image at hand.
The Photographer has a scene before them. Certainly, (they can create an image in Photoshop from other images) but they don’t have to create shadows or the image when they are ‘live’ to a scene.’ Many scenes are already presented.
They choose the composition and begin shooting.
The Painter on the hand has to sketch/draw (mostly) the contents of the image, creating the effect of shadows, light, shape, texture and form with essentially 3 things, canvas, brush, pigment and a skilful hand.
Painting en Plein Air is the closest relation to Photography, I feel. Both the Painter and the Photographer have a scene in front of them and it is up to them what they distill from that scene, composition-wise to come up with an image.
The Photographer manipulates through camera, lens, lighting, angle, filter and later Photoshop or similar, using their imagination as well.
The Painter manipulates with their choice of canvas/paper, brush, pigment, line, angle, light and uses their imagination as well.
Back in the studio both can finish off their piece.
I’m not trying to say that Painting is better or is more creative than Photography though as each medium is irreplaceable. Painting cannot replace the immediacy of Photography. Photography can capture that ‘moment in time’ in less than a second, Painting cannot.
On a personal level, I have been photographing since the early 1980’s, although not as much these days. Sketching and Painting has certainly taken over, particularly in the last 2 years.
One of the things that I love about Sketching and Painting is the freedom it gives me and also the challenge of creating an image using basic tools.
In an article a while ago I wrote called, ’There Are No 36 Megapixel Brushes’ I wrote about how someone can take a photo with something as simple these days as a phone camera and, due to the technology available, come with a technically decent image. Composition/imagination is another story, however.
As a Sketcher/Painter, we cannot go out and buy a Brush and Pigment that will give us a technically brilliant sketch or painting.
Yes, there are electronic Sketching and Painting apps but you still have to have the technical and artistic skill to create the image.
I still love Photography but it takes up a different place in my life these days. Equipment-wise, I’m heading towards Mirror-less cameras and a high-end compact that I can take anywhere.
I’m thoroughly enjoying my journey in Sketching and Painting and I can see myself continuing this journey for many years to come.
Communicating Creatively 