My Photographic Journey – Part 3a – Camera Clubs/Photographic Societies

Camera Clubs/Photographic Societies were such a huge and integral part of my journey in Photography and those experiences cannot be summed up in just one post as there were several facets that I would like to cover.

When I walked into a Camera Club for the very first time, I was an extremely shy 23 year old (I can hear Perc Carter laughing now…). I’ll never forget my early visits to Campbelltown Camera Club in 1986. I joined in June of that year.

Logo from a T-Shirt members proudly wore around advertising our Club.
I still have the T-Shirt, though I doubt it would fit me these days!

Apart from ‘not being comfortable in a roomful of strangers’, as the prints started to go up on the print stands, I felt both inspired and inadequate at the same time.

I had been shooting for about 3 1/2 years and was starting to feel a bit more happy with what and how I was shooting. I knew there was room for improvement though. There always is…much more improvement when I saw what was in front of me!

The images in front of me were awe-striking. I had no knowledge at that time of how long some of my fellow members had been involved in photography. I had arrived as a member just in time for the ‘Top Shot’ Competition. I had never even considered going into a competition with my photography. Photography was just for fun.

Charlie Cowell won the overall Top Shot that year with a Still-Life image that had a background where ‘light just disappeared’ into the background.

I had been trying to shoot various Still-Life scenes but my backgrounds were awful. I sat there wondering how he did it and commented so to another member. The member said, ‘why don’t you ask him?’

Summing up the courage, I did. ‘Black Velvet’, Charlie said & proceeded to tell me what to buy and where to buy etc. I still have that piece of Velvet 35 years later…

I started to enter the competitions about a month later. Club competition entries, if successful, were awarded a Merit or Credit by the visiting Judge who evaluated the images on display and suggested points for improvement.

Myself being presented with a Bronze Medallion for 25 Merits in Monochrome c1990’s by then President, Enid Duncan.. I went on to achieve 75+ Merits in Monochrome; and 205 Merits in Slides which was/is a Club record for that medium. Wish I still had the hair!

I learnt so much going along to Campbelltown Camera Club in many ways, the competitions being just one of them.

It certainly helped build up my ‘photographic confidence’ over time and also, being exposed to a new group of people helped start me on the road to ‘general self-confidence’ too.

Over the next few articles, as I continue write about my Photographic journey, I will explore other facets of my wonderful experience of being a member of a Camera Club/Photographic Society.

A few years back, Campbelltown Camera Club changed it’s name to Macarthur Photographic Society. To find out more about MPS and how being a member can improve your Photography, click on the following link. https://macarthurphotographicsociety.org.au/

Till next time.

Written by David Johnson

27 February 2021

Story To Be Told

Freedom Through Sketching and Painting

I love the freedom Sketching and Painting gives me.

One basically starts off with no image on canvas or paper. You might have an image in mind and then you set about creating it from your imagination or a memory, or indeed a combination of both.

If you are using a reference photo you already have a basic framework though, generally speaking and unless you are into Photo Realism, you will come up with an interpretation of the image at hand.

The Photographer has a scene before them. Certainly, (they can create an image in Photoshop from other images) but they don’t have to create shadows or the image when they are ‘live’ to a scene.’ Many scenes are already presented.

They choose the composition and begin shooting.

The Painter on the hand has to sketch/draw (mostly) the contents of the image, creating the effect of shadows, light, shape, texture and form with essentially 3 things, canvas, brush, pigment and a skilful hand.

Painting en Plein Air is the closest relation to Photography, I feel. Both the Painter and the Photographer have a scene in front of them and it is up to them what they distill from that scene, composition-wise to come up with an image.

The Photographer manipulates through camera, lens, lighting, angle, filter and later Photoshop or similar, using their imagination as well.

The Painter manipulates with their choice of canvas/paper, brush, pigment, line, angle, light and uses their imagination as well.

Back in the studio both can finish off their piece.

I’m not trying to say that Painting is better or is more creative than Photography though as each medium is irreplaceable. Painting cannot replace the immediacy of Photography. Photography can capture that ‘moment in time’ in less than a second, Painting cannot.

On a personal level, I have been photographing since the early 1980’s, although not as much these days. Sketching and Painting has certainly taken over, particularly in the last 2 years.

One of the things that I love about Sketching and Painting is the freedom it gives me and also the challenge of creating an image using basic tools. 

In an article a while ago I wrote called, ’There Are No 36 Megapixel Brushes’ I wrote about how someone can take a photo with something as simple these days as a phone camera and, due to the technology available, come with a technically decent image. Composition/imagination is another story, however.

As a Sketcher/Painter, we cannot go out and buy a Brush and Pigment that will give us a technically brilliant sketch or painting.

Yes, there are electronic Sketching and Painting apps but you still have to have the technical and artistic skill to create the image.

I still love Photography but it takes up a different place in my life these days. Equipment-wise, I’m heading towards Mirror-less cameras and a high-end compact that I can take anywhere.

I’m thoroughly enjoying my journey in Sketching and Painting and I can see myself continuing this journey for many years to come.

Written by David Johnson

11 October 2020

Your Imagination

Into Yourself, You’ve Poured

Into Yourself, You've Poured 2

The Key

Finding Our Peace

Finding Our Peace

Free To Roam

Free To Roam1

An Artists Interpretation

An Artists interpretation

The Blank Canvas

The Blank Canvas