Looking For The Light
Tag: light
Designed To Renew
Illuminating
The Moment It Clicks!
There was a time when I would haunt the local bookshops where I worked and spend time sifting through all the Photographic books, building a wish list of books that I would love to have on my bookshelf one day.
I still have what I consider to be a treasured collection of Photographic books at home (about 60+), being Coffee Table, on practical and theory etc. Many of them date back to film days with a sprinkling of Digital. Most are on theory, aesthetics, ways of viewing/thought processes, movements and individual subjects.
These days, I’m most likely to not head straight to the Photography section whether I am in a shop that sells new or used books, but I head towards the Art section and Poetry first.
With the introduction of Digital it seems there were far more books being produced on the art of manipulation than there were before, most of them dealing with how to tackle Adobe Photoshop. There seemed less on Photographic aesthetic which I think was a shame. Book after book after book lined the shelves about Photoshop or similar.
I was in a second-hand bookshop recently and after visiting the Art/Painting and Poetry sections, I wandered over to the Photography section and was delighted to find, ’The Moment It Clicks – Photography Secrets From One Of The World’s Top Shooters’ by Joe McNally.
’The Moment It Clicks’, what a perfect title for me. Even before the advent of Digital Photography, for me, Photography was about the ‘moment of taking the picture’ and indeed the lead-up to it. I used to take Slides and Black & White, doing my own developing and printing in my Darkroom. Whilst the Darkroom was fun and I enjoyed it, it didn’t override the moment of taking the photo for me.
I’ve often had discussions with my fellow photographer-fiends on this subject as they don’t quite understand my view on this. I shoot Digital as well and have a couple of books on manipulation, but that is all.
With Slides, there was no ‘after-process’ if you like, unless of cause you developed them yourselves (which few people I knew did). You just sent them away for processing.
But back to the book, purchased for AUD$3.00, a real steal.
This edition was published in 2008, it covers the following:
- Shoot What You Love
- Keep Your Eye In The Camera
- The Logic of Light
- There’s Always Something To Bounce Light Off
- Lighting Tips/Camera Bag/Lighting Gear
- The Bar Is Open (a collection of 25 further tips covering Attitude; Choices; Aesthetics; Courage and more).
It is packed tips, recommendations and touches on thought processes and it doesn’t even mention Adobe Photoshop in the Index, indeed it only mentions the phrase, ‘photo editors’ once, on page 164. Bliss!
It’s been quite a few years since I had purchased a Photographic book and I am more than delighted with my latest purchase as it is exactly what I look for in a Photographic book.
Written by David Johnson
28 February 2021
Story To Be Told
Warmth Of The Sun
Delight
Wonderful Atmosphere
New Light Emanating
Freedom Through Sketching and Painting
I love the freedom Sketching and Painting gives me.
One basically starts off with no image on canvas or paper. You might have an image in mind and then you set about creating it from your imagination or a memory, or indeed a combination of both.
If you are using a reference photo you already have a basic framework though, generally speaking and unless you are into Photo Realism, you will come up with an interpretation of the image at hand.
The Photographer has a scene before them. Certainly, (they can create an image in Photoshop from other images) but they don’t have to create shadows or the image when they are ‘live’ to a scene.’ Many scenes are already presented.
They choose the composition and begin shooting.
The Painter on the hand has to sketch/draw (mostly) the contents of the image, creating the effect of shadows, light, shape, texture and form with essentially 3 things, canvas, brush, pigment and a skilful hand.
Painting en Plein Air is the closest relation to Photography, I feel. Both the Painter and the Photographer have a scene in front of them and it is up to them what they distill from that scene, composition-wise to come up with an image.
The Photographer manipulates through camera, lens, lighting, angle, filter and later Photoshop or similar, using their imagination as well.
The Painter manipulates with their choice of canvas/paper, brush, pigment, line, angle, light and uses their imagination as well.
Back in the studio both can finish off their piece.
I’m not trying to say that Painting is better or is more creative than Photography though as each medium is irreplaceable. Painting cannot replace the immediacy of Photography. Photography can capture that ‘moment in time’ in less than a second, Painting cannot.
On a personal level, I have been photographing since the early 1980’s, although not as much these days. Sketching and Painting has certainly taken over, particularly in the last 2 years.
One of the things that I love about Sketching and Painting is the freedom it gives me and also the challenge of creating an image using basic tools.
In an article a while ago I wrote called, ’There Are No 36 Megapixel Brushes’ I wrote about how someone can take a photo with something as simple these days as a phone camera and, due to the technology available, come with a technically decent image. Composition/imagination is another story, however.
As a Sketcher/Painter, we cannot go out and buy a Brush and Pigment that will give us a technically brilliant sketch or painting.
Yes, there are electronic Sketching and Painting apps but you still have to have the technical and artistic skill to create the image.
I still love Photography but it takes up a different place in my life these days. Equipment-wise, I’m heading towards Mirror-less cameras and a high-end compact that I can take anywhere.
I’m thoroughly enjoying my journey in Sketching and Painting and I can see myself continuing this journey for many years to come.
Written by David Johnson
11 October 2020
Communicating Creatively 