Today, we went out to Lake Burragong, which is approximately 1/2 a hour drive away from where we live. Lake Burragorang, when full (like it is now), holds 4 times the amount of water of Sydney Harbour. We have been there many times and it is a most beautiful and relaxing place.
I took my Winsor and Newton Field kit (which now has both Winsor and Newton, and Daniel Smith Watercolour paints in it) plus my Aquawash brushes and a small sketchbook.
I wasn’t all that excited about the sketch/painting I did first out there but it did give me an idea to painting a similar subject but in a different way, and more from my imagination.
Day 1,270 of a Watercolour Sketch a Day
I’ve had my Aquawash brushes for a few years now though I’ve only used them sporadically and I need to watch some videos on how to use them with greater effectiveness. I rather like how this sketch turned out, though and I will be using these type of brushes more in the future.
I’m due to go on my first field trip with the Sydney Urban Sketchers next month and I think it would great to take these brushes.
For my daily Art practice today, I chose to do another interpretation of a previous sketch that I had done, which was based on a reference photo that I took on Norfolk Island on our holiday, earlier in the year.
“Lighters” (wooden boats that up until recently were used to unload to, from cargo ships) continue to be an endless source of fascination to me.
Day 1,249 of a Watercolour Sketch a Day
Today I used the following materials:
Canson 300gsm Watercolour paper
ArtSpectrum Waterproof Pigment ink
Manuscript Dip Pen with Mapping nib
Winsor and Newtown Artist quality paints
Neef brushes
Perylene Maroon
Burnt Sienna
Ultramarine Blue
Sepia
I seem to have an attraction to peeling paint and rustic subjects in terms of sketching and painting, which is really not surprising as in my enthusiast photography days the same sort of subject matter attracted me, particularly in early morning or late after night.
Day 1,151 of a Watercolour Sketch a DayMy reference photo
I look forward to doing another version of this as I feel I would like to do one that is somewhere ‘between’ the two sketches above.
Last weekend, my Wife and I stayed with our friends at Millthorpe, NSW, Australia as my Wife had been invited to a Baby Shower in Bathurst, about 20 minutes drive away.
Whilst my Wife was at the party, I ventured into the CBD and started to look for a suitable subject to sketch and paint.
I came across a lovely-looking building with a dome which turned out the be the Courthouse however, I chose to sit in the park and view it from behind. I quite liked the busyness of the structures in front of it that were set against the backdrop of the dome.
For me, it was rather a challenging subject as I am still endeavouring to learn ‘how much I want to leave in or leave out?’ One of the other challenges I had on the day was it was quite chilly with a wind blowing. The light was just beautiful though, so I sat there and attempted to sketch and paint it, well my interpretation anyway…
I will definitely have another go at this subject at some point. It was the first time out using my new Winsor and Newton Field Kit which has a mix of Winsor and Newton, and Daniel Smith paints.
After I finished the sketch, I set off with my DSLR camera and (of course) my Phone camera to see what I could capture in the beautiful late afternoon light. Below is one example from the iPhone camera.
All in all, I had a very enjoyable couple of hours in the late afternoon light.
Aside from doing my Daily Art Practice aka a Watercolour Sketch a Day (mostly A5 size), for a while now I’ve been doing A4 size Watercolours. In my daily art practice I try new things (and make lots of mistakes) and occasionally, I will do one that I would like to do a larger version of. I still make mistakes when I do the larger ones, though. I’ve never agreed with ‘practice makes perfect’, I think it should be ‘practice makes better’. Hopefully, over time I will continue to get better!
I’m looking to stretch myself in my Art-practice at every opportunity.
Arto Watercolour Paper 300gsm Cold Pressed Medium Surface – 100% Cotton Acid Free
I’ve recently started another sketchbook and as mentioned in the previous article on this thread, I am using a Moleskine A4 200gsm where the pages are made up with 25% Cotton.
I haven’t found one yet, but I would love to find a sketchbook where the pages are made up with 50% Cotton. Judging from my experiences so far with 100% Cotton and 25% Cotton sketchbooks, 50% would be ideal.
I’m still enjoying Line and Wash. Today is Day 1,055 of a Watercolour Sketch a Day and am still posting them each day on Instagram. It is fascinating to look back at where I’ve come from, acknowledging though, that I still have a long way to go in terms of where I want to be. I’ve also been pushing myself to do mainly images from my imagination and the occasional reference image, rather than tutorials.
I have included some of my recent Watercolour Sketches a Day below, done in the Moleskine.
It’s not so hard to imagine that there is no such thing as ‘the perfect Sketchbook’.
In my Watercolour/Line & Wash journey thus far I’ve tried a few different types and I would like to discuss two of my favourites.
Before I start though, I should mention what I use to do the line sketch as that alone can determine which type of sketchbook I use. I love using Dip Pens and also Pigment liners and as I’ve found, sometimes I have to use one or the other depending on which sketchbook I choose to use.
Moleskine: I’ve enjoyed using both A4 and the A5 versions. Currently, I’m using the A4 version as it will allow me to do 240 ‘Watercolour Sketch a Day’s’ in it. My daily sketches are mostly half A5 in size and the A4 sketchbook has 60 pages. The book is 25% Cotton and 200gsm which allows me to use both the Dip Pens and the Pigment Liners and it will take water, not a huge amount but some.
Winsor and Newton Visual Diary: I’ve only a couple of pages left in this one so I will soon be purchasing another. It is 100% Cotton and 200gsm in weight and so it takes substantially more water than the Moleskine, but interestingly, I cannot seem to use the Dip Pens in it so I use the Pigment Liners.
I’ve also tried the Strathmore Visual Journal in both A4 and A5 in both 90lb/200gsm and 140lb/300gsm and the latter copes with a lot more water but I found the paper doesn’t show the colours off as well as the two sketchbooks mentioned above, to me anyway.
Interestingly, when I use Art Spectrum waterproof ink in the Strathmore sketchbook, it takes longer to dry (up to half an hour) than if I use it in the Moleskine sketchbook.
I would be happy to hear people’s thoughts about any other sketchbooks that they would recommend that I try.
Since hitting the 1,000 mark with my Watercolour Sketch a day, I’ve been attempting to do less tutorials and also less working from reference photos. I’ve enjoyed doing the tutorials but I thought it was time to start challenging myself more by doing my own original compositions whilst attempting to apply the techniques I’ve been learning within the tutorials.
One of the challenges I have with the daily sketches is that sometimes, I do not get a lot of time to spend on them. Sometimes it can be as little as 15 minutes, sometimes up to an hour. I love doing the daily sketches but am conscious that when time is short, I don’t get the chance to do the multiple layer washes are required.
I still want to do the daily sketches as I want to keep my daily art practice going (Art is not my full-time occupation) as I want to continue to improve and I find the practice quite meditative.
One of the things I am aiming to do is more A4 size Watercolour and Line and Wash paintings. These will need to be done on weekends.
Below are a few of my original sketches since passing the 1,000 day mark.
Last Wednesday, I completed my 1,000th Watercolour Sketch a Day in a row. All of them are posted on one of my Instagram Pages – Communicating Creatively.
When I first started this Watercolour Sketch a Day journey way back in January 2019, it was for the following reasons:
I wanted to foster a daily Art practice
I wanted to improve my sketching, drawing and painting
It has been a journey of fun, challenges, (lots of mistakes), experimentation, learning and practice, practice, practice!
Day 1 of a Watercolour Sketch a Day – 26 January 2019
I remember completing 7 days straight and I was really pleased…could I make it to two weeks? Throughout the journey, I have just kept my eyes on the current day and aimed to do a sketch a day. Many people have asked me what is the end goal? Is it 1,000, 5,000, 10,000? The answer remains the same, ‘I’m just trying to do ‘a sketch a day and improve my skills’.
About 8 months of the 1,000 days we were in lockdown so I couldn’t get out to sketch en Plein Air so I completed tutorials, mainly by Peter Sheeler and Nil Rocha Art, and used reference photos (some of which were my own) and sketched from my imagination. On business days it normally has to be from the imagination or a reference photo.
It would be great to say that I improved with each sketch but that did not always happen as I felt, at times, that I plateaued for longer periods than I imagined would happen. Somedays it would seem that I was going backwards, too…
It was also a challenge doing the sketches some days due to tiredness from the business of the working day (I co-run a Finance Broking business and have a part-time role as an Entrepreneurship Facilitator, am involved with Toastmasters International and Red Point Art Association) plus more. There have also been health challenges in our family, and extended family to deal with, including losing three of them.
The practice of doing one a day was also quite meditative. More often than not, I would be playing music softly in the background. With all that has been going on in the world at large and our own world it has been quite a calming experience. I highly recommend it!
Day 1,000 of a Watercolour Sketch a Day – 27 October 2021 (Peter Sheeler Tutorial)
Mostly, I did the sketches in the morning as I was fresher. To get this done before the working day started, I rose earlier. Sometimes, I would get the line sketch done and do the painting after the working day was done. During the week, the sketches are A5 size and on the weekends sometimes larger.
One of the challenges I have in front of me is to be able apply the techniques that I have learnt during the tutorials to my own original works so the journey continues.
Today is Day 1,004 so I will leave it there as I hear my Watercolour Sketchbook calling me!
Sometimes along a journey you wonder whether you are improving or not. I remember this happened with Toastmasters early on. I was going along to meetings, writing, rehearsing and giving speeches, taking on roles etc and after three months, I wondered it was having an effect?
A colleague I worked with at the time suddenly said one day, ‘David, you are appear to have greater confidence these days, what’s the secret?’ I knew then that going to Toastmasters had started to affect me in a positive way.
With my Watercolour sketches I have wondered the same thing, although it is easier in one way to gauge improvement as I have tangible evidence in the form of previous Watercolour sketches.
During lockdown last year I did 120 YouTube tutorials in a row and occasionally, I do more. One of the ways I am trying to gauge improvement is to go back to a tutorial but not actually ‘do the tutorial.’
Instead, what I do is sketch the image and do the painting without watching the tutorial. This way, I am trying to gauge what I can do without the step-by-step instruction to see how close I can get to the one I did when I did the tutorial.
Today’s Watercolour sketch (Day 727) is an example of that. I did the tutorial (Nil Rocha Art) back on Day 500. I have added a couple of shrubs and there are some other elements which I have changed but I am pretty happy with the result. I would love to reach the skill level of the tutorials. More practice required!
Day 727 of a Watercolour Sketch a Day – Without the tutorial
Day 500 of a Watercolour Sketch a Day – With the tutorial
I’m happy with my progress with Watercolour in general and with Line and Wash, however, I am looking forward to the time I can do a face-to-face Watercolour course with a professional. I was due to start a 10 week course like this when Covid hit.
I’ve been using Winsor & Newton Cotman Half-Pans for over two years now. I’m thinking that maybe it is time to jump to Artist quality paints and have purchased a set of Primaries.
Still have so much more to learn. Still having so much fun! 🙂
In 2010, when I first ‘heard the calling’ of painting and embarked on a basic, 6-week drawing course, I started with Watercolour. I remember my Mother-In-Law (whom I get on very well with, share the same sense of humour with and who has painted in Oils for many, many years) said ‘why did you start with the hardest medium?’
I shot slides for many years and the transparent effect of Watercolour reminds me of them. They are similar also in that you only ‘get one shot’ at doing them. If you muck them up, they stay mucked up!
Susan’s Family bought me some Student Acrylics for Christmas and off I went in that direction. I enjoyed being a beginner painter with them and sometime later, was lured into having a go at Oils by the local, friendly owner of an art/framing store.
So began my Oils journey, firstly with student paints, then artist paints. In between (as I guess a lover of art and craft does), I’ve managed to accumulate Oil Pastels, coloured pencils, Watercolour pencils, aqua wash pens, Charcoal sticks, a set of drawing/sketching pencils, Inktense pencils and so on…
I should say at this point that my artistic endeavours are not my source of income and I allocate time at night during the week and on weekends to pursue my creative endeavours so self-learning and experimentation have been a bit of slow grind but I am enjoying the journey nevertheless.
In May last year, I purchased a mixed-media A4 Ivory page journal in which I write poetry, sketch, scribble and paint. More and more I have noticed that I was using Watercolour pencil and aqua wash pens in the journal.
I am also gaining inspiration from artists on Instagram in the various art mediums. Over the past few months, I’ve noticed that I am following a greater number of Watercolour artists, and feel that I am being drawn back to that medium.
I still consider myself a beginner and love both Oils and Watercolour for different reasons. Watercolour is becoming an increasing influence, so much so that I purchased a set of 45 Winsor and Newton Cotman Half Pans this past week and have been enjoying using them in my journal.
With Watercolour, I see me doing just small sketches at this stage as there is an immense amount for me to learn. I will still do Oils though on larger paintings. That way, I can enjoy my two favourite art mediums.
Communicating Creatively 