Last Friday week I was given the opportunity to part of a function called, “Open For Business” which was run by ‘Good Morning Macarthur’ a local production in the Macarthur Region of NSW at Oz Funland.
It featured four business owners who made up a panel and they shared their knowledge to enhance the local business community.
Also featured was a Samoan dancer called, ‘Tito’ and a selection of my Art, consisting of both Oil and Watercolour.
As with any region, business functions are common, however, due to Covid-19, business functions had been online mostly this year and often they feature only business-related activities.
The team at Good Morning Macarthur decided to do something a little bit different and it worked well mixing in a bit of entertainment and art.
Thank you to the team at Good Morning Macarthur for allowing me to display my Art. This is the first time multiple examples of my Art have been on display. We had a wonderful night!
Since I started my Watercolour Sketch a Day aka daily Art practice on 26 January 2019, I haven’t used Oil paints. I love painting with them, it’s just that I’ve been so focused on Watercolour they seem to have disappeared from view.
That was, until last weekend.
I thought I’d start again and decided to paint two subjects that I had previously painted some time ago and see ‘how I would approach them now?’
The earlier paintings were painted with Student quality paints, the latter with Artist quality (Art Spectrum) paints.
The first one is of a Sand Dune:
2014 & 2020
In some ways I like the first version better (top shadow effect – dune) though I like the sky in the 2020 version better.
The second one is of the ocean:
2012 & 2020
This one is ‘no-contest’ as far as I can see! I love everything about the 2020 and not much at all about my earlier version.
I shall continue with my Watercolour Sketch a Day practice but Oils will not be disappearing into the background again, in fact, I’ve just started another one, a shipwreck.
I love the freedom Sketching and Painting gives me.
One basically starts off with no image on canvas or paper. You might have an image in mind and then you set about creating it from your imagination or a memory, or indeed a combination of both.
If you are using a reference photo you already have a basic framework though, generally speaking and unless you are into Photo Realism, you will come up with an interpretation of the image at hand.
The Photographer has a scene before them. Certainly, (they can create an image in Photoshop from other images) but they don’t have to create shadows or the image when they are ‘live’ to a scene.’ Many scenes are already presented.
They choose the composition and begin shooting.
The Painter on the hand has to sketch/draw (mostly) the contents of the image, creating the effect of shadows, light, shape, texture and form with essentially 3 things, canvas, brush, pigment and a skilful hand.
Painting en Plein Air is the closest relation to Photography, I feel. Both the Painter and the Photographer have a scene in front of them and it is up to them what they distill from that scene, composition-wise to come up with an image.
The Photographer manipulates through camera, lens, lighting, angle, filter and later Photoshop or similar, using their imagination as well.
The Painter manipulates with their choice of canvas/paper, brush, pigment, line, angle, light and uses their imagination as well.
Back in the studio both can finish off their piece.
I’m not trying to say that Painting is better or is more creative than Photography though as each medium is irreplaceable. Painting cannot replace the immediacy of Photography. Photography can capture that ‘moment in time’ in less than a second, Painting cannot.
On a personal level, I have been photographing since the early 1980’s, although not as much these days. Sketching and Painting has certainly taken over, particularly in the last 2 years.
One of the things that I love about Sketching and Painting is the freedom it gives me and also the challenge of creating an image using basic tools.
In an article a while ago I wrote called, ’There Are No 36 Megapixel Brushes’ I wrote about how someone can take a photo with something as simple these days as a phone camera and, due to the technology available, come with a technically decent image. Composition/imagination is another story, however.
As a Sketcher/Painter, we cannot go out and buy a Brush and Pigment that will give us a technically brilliant sketch or painting.
Yes, there are electronic Sketching and Painting apps but you still have to have the technical and artistic skill to create the image.
I still love Photography but it takes up a different place in my life these days. Equipment-wise, I’m heading towards Mirror-less cameras and a high-end compact that I can take anywhere.
I’m thoroughly enjoying my journey in Sketching and Painting and I can see myself continuing this journey for many years to come.
A few weeks ago whilst browsing in a local bookstore, I came upon what I now know to be quite an impressive book titled, “The Story Of Painting – How Art Was Made.”
Almost every day since, I’ve picked up this book and have been instantly engaged by its contents. I find it to be fascinating, interesting, informative, inspirational and well-written.
To see a more detailed description and reviews by other readers, click on the following (shortened) link which will take you ‘Goodreads.’
As those who follow my blog would know, on 26 January 2019, I decided to aim to a ‘Watercolour Sketch a day and at the time of writing, I have not missed a day.
I started my ‘Daily Art Practice’ as I wanted to improve my Watercolour and Sketching skills at a faster rate. Prior to the sketch a day routine that I now have in my life, life seemed to ‘always get in the way’ and sometimes, the gap between my Watercolour sketches was a couple of weeks. I ended up being too busy, too tired or whatever.
My Creative Space!
I was hungry to learn and looking back, I am so glad I have prioritised my time to allow me to have this daily Art practice as part of my life.
It has not only benefitted me on the art-side of things but has also become a kind of ‘mental escape.’ It’s a time for me to ‘zone-out’ and disappear into another world, but back to the Art-side of things.
Sometimes, as we are travelling along, we wonder if we are getting anywhere? Last weekend I reviewed some of my earlier images and was pleasantly surprised at how far I’ve come. I still have a long way to go to where I want be, however, but am really enjoying the journey!
There are two images below. The first image (side of a Barn) was completed prior to me starting my daily Art practice. The second (of a similar subject) is Day 539.
Photo 1 – Prior to Daily Art practice / Photo 2 – Day 539
The next two images are from a Peter Sheeler tutorial I did twice. During lockdown I did over 120 tutorials by Peter Sheeler and Nil Rocha Art and had actually forgotten that I done this particular tutorial before.
Photo 1 – Day 432 / Photo 2 – Day 518
I’m pretty happy with the progress I have made so far and am looking to continue this wonderful journey!
Yesterday, I joined Red Point Artists Association Inc at Port Kembla, which is situated 93 kilometres (57 miles), 1 1/2 hours drive from Sydney, near Wollongong and about 45 minutes SE of where I live.
I had visited some years ago at the invitation of a friend, Dulcie Dal Molin who is a former President of the Association and an Honorary Life Member. I have known Dulcie for may years through our involvement in Photographic Societies.
I had been wanting to become a member of RPAA for quite a few years but had too many commitments on my plate. Those commitments have now ended and my love for Sketching and Painting has increased remarkably over the last few years. The time was indeed right!
You might ask, ‘aren’t there Art Societies closer to where you live?’ ‘Why travel that distance to join this Art Community?’
Valid questions. I have always found my visits to ‘Art On The Grass’ which are held every second Saturday of the month, for 11 months of the year, special. There is something that keeps drawing me back to this Art Community that I cannot quite put into words. Perhaps the French phrase, ‘Je ne sais quoi’ would sum it up.
The RPAA are to be congratulated as not only have they found a ’space’ in the Main Street of Port Kembla, they have found a truly inspiring space. A grassy rectangle surrounded by a ‘horseshoe’ of studios, a gallery where the members can hold exhibitions and a cafe with outside seating that all contribute to the ‘Artsy Vibe!’
On the grass and via the studios, members can also sell their Arts and Crafts and the general public can come in and seek out that special gift for themselves or others whilst beautiful music plays in the background.
Workshops and Art classes are also held regularly.
It really presents well as a delightful Community Art Space in a relaxed environment where a variety of Arts and Crafts are practiced.<
For more information please visit the following links:
Within the past week, a change has come across my Watercolour Sketch a Day practice.
When I started the practice it was because I wanted to learn not only Watercolour but obtain practice in sketching and drawing with pencils and pigment liners.
Over time and sometimes due to time constraints (mainly during the week), I found myself dispensing with the pencils and pigment liners and just doing a quick ‘wash’ sketch with paint only. This is ok, I guess as I was still getting practice, but I wonder how much I was actually learning, leaving myself to my own devices…?
Just under a week ago, I decided that I wanted to go back to my ‘original why’ and I started looking at YouTube and in particular searching the phrase, ‘Line and Wash.’
I came across an Artist channel, ‘Nil Rocha Art’ whose sketches appealed a lot to me. “Nil Rocha Art’ is listed as ‘a Professional Artist in ‘Line and Wash’ drawing landscape and others.
Having now done five of the tutorials, I feel like I am learning so much more now about sketching, painting and the use of colours, mixes etc than I have in all the time previously. Yes, I wish I had done this earlier but I guess we all have our own journey. Previously, I would watch different shows, picking up the occasional tips and practicing them, reading books etc.
I feel that the tutorials are stretching me, exploding me out of my comfort zone and even after only five days, I feel that my confidence in sketching/Watercolour is growing each day. I’ve included the five Line and Wash sketches I’ve done so far, below.
If I was just starting now, I would definitely jump onto YouTube or similar and find an Artist/Mentor that you can follow.
Should you be interested in learning about how to do Line and Wash here is the link to ‘Nil Rocha Art’ YouTube channel. I hope you have as much fun as I’m having.
Being still (what I would call) relatively new to Watercolour, I am still exploring the types of subject matter that I would like to paint. Predominantly, I have been painting landscapes, seascapes, sky-scapes with a few buildings thrown in here and there.
I hadn’t really thought of painting flowers. They always looked rather challenging (and still are) and I have so much still to learning about painting them.
Recently, I purchased the book, ’The Watercolour Flower Painter’s A – Z’ An Illustrated Directory of Techniques for Painting 50 Popular Flowers.
Thus far, I have attempted 3 of the exercises 1) Strelitzia (Bird of Paradise); 2) Freesia and 3) Petunia and found the exercises easy to follow, offering detailed instruction and a delight to read.
Under ‘Essentials’ in the front of the book it covers nearly 30 essential techniques to learn that will aid the aspiring Artist in artistically reproducing the subjects.
If you are looking for an easy to follow book that will take you out of your ‘painting comfort-zone’ then I would highly recommend you take a look at this book.
Looking back, I haven’t written about my project, ‘a Watercolour Sketch a Day’ since the 127th day. I’m happy to report that today is Day 406 and I haven’t missed a day yet.
It’s been a fascinating journey and I’m making heaps of mistakes so I must be learning a lot!
So, why pick Day 406 to write about the experience, I mean why not write about it on Day 200, 300 or 400? I noticed that today signifies a slight change in direction…
To explain: When I first started, it was about a Watercolour Sketch a Day, meaning the goal was to create a daily watercolour sketching habit, quick sketches that I could do on say A5 (or smaller) pages.
This was how it was for a time, then I noticed I was attempting larger sketches on A4 and above paper which is fine, but they were taking longer and longer to complete and as I’m not a full-time artist, my time to commit to larger sketches during the week is not as great. Sometimes, I only get a limited time to do them, say 10 – 20 minutes. On the weekends it is longer, mostly.
I also noticed that after a very busy day I was prone to tackling easier subjects, abstract I suppose you could call them which is fine and fun though at times I felt I was doing ‘anything’ just to say that the sketch was done for that day. I don’t want this to be a production, it was meant to be and is fun.
Also, I had gone away from using pencils and pigment liners as well. I want to improve my drawing/sketching skills with the aforementioned tools as well Watercolour paints.
This morning I decided to go back to my original intentions. I started using a pencil again and am doing a smaller size sketch.
One of the challenges I have is that I don’t get out as much as I like to sketch, especially during the week as I run a business, though it is not tied to an office or shop predominantly, per se.
Perhaps I should tuck a Moleskine A5 Watercolour journal and a couple of pencils etc in my portable folder so that if the chance comes up, I could do a quick sketch whilst waiting for an appointment. That would be a great habit to start instead of pulling out the Smartphone and wasting time with that…
Doing a Watercolour Sketch a Day still motivates me and I can certainly say that I am enjoying the journey. Watercolour is such a fascinating medium. Drawing/sketching is fun and it still feels like a kind of meditation for me.
Here are a selection of my Watercolour Sketches since Day 128.
Written by David Johnson
7 March 2020
Day 128 of a Watercolour Sketch a Day “Farmhouse”
Day 152 of a Watercolour Sketch a Day “Seafaring Fun”
Day 164 of a Watercolour Sketch a Day “Towards The Summit”
Day 177 of a Watercolour Sketch a Day “The Rock”
Day 190 of a Watercolour Sketch a Day “Snow Gum Palette”
Day 196 of a Watercolour Sketch a Day “Out To Sea”
Day 197 of a Watercolour Sketch a Day “Sea Retreat”
Day 217 of a Watercolour Sketch a Day “Paperbark”
Day 255 of a Watercolour Sketch a Day “Summer”
Day 267 of a Watercolour Sketch a Day “Pyramids Of Giza”
Day 274 of a Watercolour Sketch a Day “Sunset”
Day 283 of a Watercolour Sketch a Day “Ochre”
Day 291 of a Watercolour Sketch a Day “Carcoar Architecture”
Day 294 of a Watercolour Sketch a Day “Posing Kookaburra”
Day 324 of a Watercolour Sketch a Day “Rock Face”
Day 333 of a Watercolour Sketch a Day “Sunset On The Bay”
Day 334 of a Watercolour Sketch a Day “Coastal Delight”
Day 339 of a Watercolour Sketch a Day “Coloured Sky”
Day 350 of a Watercolour Sketch a Day “Fresia”
Day 365 of a Watercolour Sketch a Day “Land Claim”
Day 372 of a Watercolour Sketch a Day “New Day”
Day 375 of a Watercolour Sketch a Day “Tones”
Day 381 of a Watercolour Sketch a Day “The Shack”
Day 385 of a Watercolour Sketch a Day “Central Peak At Sunset”
Day 393 of a Watercolour Sketch a Day “Silos At Sunset”
I had the pleasure of seeing one of my paintings on a gallery wall for the First Time Ever!
The opportunity came via a local Artist, Kerrie Abello who had recently set up the ‘Dragonfly Community Gallery in Campbelltown, NSW, Australia which is about 15 minutes drive from where I live. Campbelltown is a City situated approx. 50kms from Sydney in the Macarthur Region.
The Dragonfly Community Gallery is the first of its type in the area and hopefully, not the last.
Kerrie is looking to give local Artists a chance (just like myself and others who were part of the gallery’s First Exhibition) an outlet to show off their talent.
Kerrie being interviewed – Dragonfly Community Gallery, Campbelltown
The painting I chose was one I had finished painting in 2017, an Acrylic and Oil called “Abundance of Joy” 90cm x 30cm and can be seen below.
“Abundance Of Joy” – David Johnson
I also had the pleasure of being interviewed at the Gallery by Brian Laul and Frank Michel, two local businesspeople who video interview local businesspeople and identities in the Macarthur Region for the “Good Morning Macarthur” Facebook Page, an initiative they set up. Thank you, Brian and Frank.
Brian Laul and Frank Michel from “Good Morning Macarthur”
I’m not a full-time artist and had thought that (apart from wanting to enter the local Art Prizes for fun), it would be a while before any painting of mine would grace the wall of a gallery.
It was an amazing experience sharing the wall with other Artists, some of whom are part-timers just like me. It has now inspired me to think about having my own exhibition or having one in conjunction with one or two other people.
I would like to thank Kerrie Abello for the opportunity, not only for accepting my painting as part of the Dragonfly Community Gallery’s 1st Ever Exhibition, but for inspiring me to expand my thinking around my Art.
Written by David Johnson
12 October 2019
Good Morning Macarthur interview: Kerrie Abello followed by myself (@15 minute mark)
Communicating Creatively 